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Themes of childhood and innocence run throughout, interwoven with imaginative reworkings of traditional British and Irish folk songs.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAs director Owain Park describes it, Wishing Tree is “a journey through time, poetry and song, rooted in tradition yet alive with contemporary expression.”\u003cbr\u003eThe ensemble continues to tour internationally, performing over 150 concerts annually across Europe, the Americas, and Asia, while also commissioning new works and engaging a global digital audience.\u003c\/p\u003e\u003cp\u003eTracklist:\u003cbr\u003e1. Byrd: This Sweet and Merry Month of May – 2:59\u003cbr\u003e2. Bednall: Put Out Into the Deep – 5:32\u003cbr\u003e3. Vaughan Williams: Bushes and Briars – 3:04\u003cbr\u003e4. Willis: The Wind’s Warning – 4:13\u003cbr\u003e5. Talbot: The Wishing Tree – 3:48\u003cbr\u003e6. Anon \/ Langford: The Oak and the Ash – 3:25\u003cbr\u003e7. Semple \/ Park: My Bonny Lies Over the Ocean – 2:45\u003cbr\u003e8. Josquin: El Grillo – 2:32\u003cbr\u003e9. Holmes: Summer Shower – 3:25\u003cbr\u003e10. Anon \/ Whitbourn: The Lark in the Clear Air – 2:56\u003cbr\u003e11. Arcadelt: Il Bianco e Dolce Cigno – 2:25\u003cbr\u003e12. Gibbons: The Silver Swan – 1:37\u003cbr\u003e13. Stanford: The Blue Bird, Op. 119 No. 3 – 3:55\u003cbr\u003e14. Park: Fantasia on English Children’s Songs – 10:34\u003cbr\u003e15. Poulenc: Petites Voix I – 2:07\u003cbr\u003e16. Poulenc: Petites Voix II – 1:23\u003cbr\u003e17. Poulenc: Petites Voix III – 0:39\u003cbr\u003e18. Poulenc: Petites Voix IV – 2:20\u003cbr\u003e19. Poulenc: Petites Voix V – 0:47\u003cbr\u003e20. Anon \/ Carrington: My Love Is Like a Red, Red Rose – 4:10\u003c\/p\u003e","brand":"The Gesualdo Six, Owain Park","offers":[{"title":"Default Title","offer_id":56613164155260,"sku":"CDA68480","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/CDA68480.png?v=1780577467"},{"product_id":"puccini-turandot-3lp-box-set","title":"Puccini: Turandot - 3LP Box Set","description":"\u003cp\u003eTo mark 100 years since the premiere of Puccini’s final opera Turandot, Decca presents a limited-edition deluxe reissue of the legendary 1972 recording conducted by Zubin Mehta. \u003c\/p\u003e\u003cp\u003eFeaturing an all-star cast of Luciano Pavarotti, Joan Sutherland, Montserrat Caballé and Nicolai Ghiaurov, this “definitive” recording includes Pavarotti’s signature aria Nessun Dorma,  which became a global phenomenon during the FIFA World Cup 1990 and remains the most streamed opera aria of all time.\u003c\/p\u003e\u003cp\u003eNewly remastered in 24-bit\/192kHz from the original master tapes, this release is available on vinyl for the first time since the 1970s and as a first-ever hybrid SACD. \u003c\/p\u003e\u003cp\u003ePresented in a linen-bound deluxe box with a hardback book, archival material and exclusive artwork, this strictly limited edition will not be repressed.\u003c\/p\u003e\u003cp\u003eVinyl Edition: LPs half-speed mastered by Miles Showell \u0026amp; cut at Abbey Road Studios, and pressed on 180gm vinyl; with poly-lined inner sleeves. Hybrid SACD Edition: presenting 24-bit audio.\u003c\/p\u003e\u003cp\u003eMeticulously researched and lavishly presented hardback book in multiple languages, housed in a deluxe cloth-wrapped rigid slipcase, with sticker and onsert, including: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA new feature-length essay from internationally renowned writer on opera, Roger Pines \u003c\/li\u003e\n\u003cli\u003eIndividual features on Pavarotti, Sutherland, Caballé by Roger Pines and Katherine Cooper  \u003c\/li\u003e\n\u003cli\u003eSpecial article from Decca’s rising tenor Freddie de Tommaso on his approach to performing the role of Calaf in the 21st century \u003c\/li\u003e\n\u003cli\u003eFacsimiles from the original 1970s LP release booklet, including the complete libretto in four languages \u003c\/li\u003e\n\u003cli\u003eOriginal session photographs and recently unearthed shots \u003c\/li\u003e\n\u003cli\u003eAlso includes exclusive 1920s-style Turandot collectible poster (A4)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":56670992630140,"sku":"4871872","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/0028948718726_fc832c90-14a6-4c60-8eb0-4f4a41fee901.png?v=1777027985"},{"product_id":"puccini-turandot-2sacd-box-set","title":"Puccini: Turandot - 2SACD Box Set","description":"\u003cp\u003eTo mark 100 years since the premiere of Puccini’s final opera Turandot, Decca presents a limited-edition deluxe reissue of the legendary 1972 recording conducted by Zubin Mehta. \u003c\/p\u003e\u003cp\u003eFeaturing an all-star cast of Luciano Pavarotti, Joan Sutherland, Montserrat Caballé and Nicolai Ghiaurov, this “definitive” recording includes Pavarotti’s signature aria Nessun Dorma,  which became a global phenomenon during the FIFA World Cup 1990 and remains the most streamed opera aria of all time.\u003c\/p\u003e\u003cp\u003eNewly remastered in 24-bit\/192kHz from the original master tapes, this release is available on vinyl for the first time since the 1970s and as a first-ever hybrid SACD. \u003c\/p\u003e\u003cp\u003ePresented in a linen-bound deluxe box with a hardback book, archival material and exclusive artwork, this strictly limited edition will not be repressed.\u003c\/p\u003e\u003cp\u003eVinyl Edition: LPs half-speed mastered by Miles Showell \u0026amp; cut at Abbey Road Studios, and pressed on 180gm vinyl; with poly-lined inner sleeves. Hybrid SACD Edition: presenting 24-bit audio.\u003c\/p\u003e\u003cp\u003eMeticulously researched and lavishly presented hardback book in multiple languages, housed in a deluxe cloth-wrapped rigid slipcase, with sticker and onsert, including: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA new feature-length essay from internationally renowned writer on opera, Roger Pines \u003c\/li\u003e\n\u003cli\u003eIndividual features on Pavarotti, Sutherland, Caballé by Roger Pines and Katherine Cooper  \u003c\/li\u003e\n\u003cli\u003eSpecial article from Decca’s rising tenor Freddie de Tommaso on his approach to performing the role of Calaf in the 21st century \u003c\/li\u003e\n\u003cli\u003eFacsimiles from the original 1970s LP release booklet, including the complete libretto in four languages \u003c\/li\u003e\n\u003cli\u003eOriginal session photographs and recently unearthed shots \u003c\/li\u003e\n\u003cli\u003eAlso includes exclusive 1920s-style Turandot collectible poster (A4)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":56671006359932,"sku":"4871873","price":99.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/SACD_Box.png?v=1777027565"},{"product_id":"zubin-mehta-the-philharmonic-edition-vienna-israel-london-new-york-57-cd-box-set","title":"Zubin Mehta: The Philharmonic Edition - Vienna, Israel, London, New York - 57 CD Box Set","description":"\u003cdiv class=\"ZKRKU\"\u003e\u003cdiv class=\"fV3Jt\"\u003e\u003cdiv class=\"GOJZx\"\u003e\u003cdiv class=\"agPPc U4hHe hWX7X fs-mask\"\u003e\u003cp\u003e\u003cstrong\u003ePlease note: Orders made for this product on or after Friday 24th July 2026 will ship from 4th August 2026. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMaestro Zubin Mehta celebrates his 90th birthday on 29 April 2026. For much of the 1960s and 70s an exclusive Decca artist, he forged a remarkable recorded legacy that bridged Central European tradition and American dynamism. His performances combined interpretative insight with electrifying energy, captured in recordings renowned for their brilliance and sonic splendour.\u003cbr\u003e\u003cbr\u003eSpanning repertoire from Mozart to Mahler, this comprehensive box set gathers Mehta’s Decca and Deutsche Grammophon recordings over nearly 50 years from 1965 to 2013. Arranged alphabetically by composer and supplemented by thematic collections, it reflects two of his principal artistic homes – Israel and Vienna – while also showcasing landmark collaborations in Berlin, London, Florence, and New York. The Mehta\/Decca story began in Vienna in 1965, when, just days after his 26th birthday, he recorded a Bruckner Ninth Symphony that remains a touchstone of the catalogue.\u003cbr\u003e\u003cbr\u003eThis Philharmonic anthology features complete symphony cycles of Schubert with the Israel Philharmonic Orchestra and Schumann with the Wiener Philharmoniker, alongside two distinguished Beethoven Piano Concerto cycles – with Vladimir Ashkenazy and the Wiener Philharmoniker, and with Radu Lupu and the Israel Philharmonic. Among the celebrated soloists represented are Lang Lang, Mischa Maisky, Shlomo Mintz, Luciano Pavarotti, Itzhak Perlman, Leontyne Price, Arthur Rubinstein, Joan Sutherland, and János Starker. A discerning champion of emerging talent, Mehta also partnered with David Garrett (in Bruch and Brahms) and Sayaka Shoji (in a programme of Romantic virtuoso works). Live recordings include highlights from the 1982 Huberman Festival (featuring a dream cast of violinists – Ivry Gitlis, Ida Haendel, Shlomo Mintz, Itzhak Perlman, Isaac Stern, and Pinchas Zukerman) and a 1988 celebration concert in memory of Georg Solti (with Angela Gheorghiu and Anne Sofie von Otter).\u003cbr\u003e\u003cbr\u003eNot to be forgotten is the classic recording of Schmidt’s sheerly gorgeous Fourth Symphony, recorded at the request of the Wiener Philharmoniker, the iridescent incidental music for Beethoven’s Creatures of Prometheus and a suave Mendelssohn Octet in an orchestral version performed by the string section of the Israel Philharmonic. The set includes Mehta’s major opera recordings – Turandot, La fanciulla del West, Il trovatore and La traviata – and brings together several performances receiving their first international CD and digital release.\u003cbr\u003e\u003cbr\u003ePresented with original jackets, a selection of rare photographs and newly commissioned liner notes by David Patmore, James Jolly and Cyrus Meher-Homji, this edition offers a fitting tribute to one of the great conductors of our time.\u003cbr\u003e\u003cbr\u003eCD 1:\u003cbr\u003eBARTÓK Concerto for Orchestra · Hungarian Sketches IPO\u003cbr\u003e\u003cbr\u003eCDs 2–4:\u003cbr\u003eBEETHOVEN Piano Concertos 1–5 Vladimir Ashkenazy, WP\u003cbr\u003e\u003cbr\u003eCDs 5–8:\u003cbr\u003eBEETHOVEN Piano Concertos 1–5 · 2 Rondos Op.51 · Piano Sonatas 19 \u0026amp; 20 Radu Lupu, IPO\u003cbr\u003e\u003cbr\u003eCD 9:\u003cbr\u003eBEETHOVEN Die Geschöpfe des Prometheus Ballet music IPO\u003cbr\u003e\u003cbr\u003eCD 10:\u003cbr\u003eBERLIOZ Symphonie fantastique NYP\u003cbr\u003e\u003cbr\u003eCD 11:\u003cbr\u003eBERLIOZ Harold en Italie Daniel Benyamini, IPO\u003cbr\u003e\u003cbr\u003eCD 12:\u003cbr\u003eBLOCH Voice in the Wilderness · Schelomo János Starker, IPO\u003cbr\u003e\u003cbr\u003eCD 13:\u003cbr\u003eBRAHMS Symphony No.1 · Tragic Overture WP\u003cbr\u003e\u003cbr\u003eCD 14:\u003cbr\u003eBRAHMS Piano Concerto No.1 Arthur Rubinstein, IPO\u003cbr\u003e\u003cbr\u003eCD 15:\u003cbr\u003eBRAHMS Piano Concerto No.2 Vladimir Ashkenazy, LSO\u003cbr\u003e\u003cbr\u003eCD 16:\u003cbr\u003eBRAHMS Violin Concerto · BRUCH Violin Concerto No.1 David Garrett, IPO\u003cbr\u003e\u003cbr\u003eCDs 17–18:\u003cbr\u003eBRUCKNER Symphony No.9 · Te Deum · Mass No.2 Wiener Staatsopernchor, WP\u003cbr\u003e\u003cbr\u003eCD 19:\u003cbr\u003eCHOPIN Piano Concertos 1 \u0026amp; 2 Lang Lang, WP\u003cbr\u003e\u003cbr\u003eCD 20:\u003cbr\u003eDVOŘÁK Symphony No.7 IPO\u003cbr\u003e\u003cbr\u003eCD 21:\u003cbr\u003eDVOŘÁK Cello Concerto · R. STRAUSS Don Quixote Mischa Maisky, Tabea Zimmermann, BP\u003cbr\u003e\u003cbr\u003eCD 22:\u003cbr\u003eLALO Symphonie espagnole · VIEUXTEMPS Violin Concerto No.5\u003cbr\u003eSAINT-SAËNS Introduction and Rondo capriccioso (1988) Shlomo Mintz, IPO\u003cbr\u003e\u003cbr\u003eCD 23:\u003cbr\u003eLISZT Les Préludes\u003cbr\u003eWAGNER Preludes Lohengrin Acts I \u0026amp; III · Parsifal · Die Meistersinger von Nürnberg WP\u003cbr\u003e\u003cbr\u003eCD 24:\u003cbr\u003eMAHLER Symphony No.1 IPO\u003cbr\u003e\u003cbr\u003eCD 25:\u003cbr\u003eMAHLER Symphony No.2 WP\u003cbr\u003e\u003cbr\u003eCD 26:\u003cbr\u003eMAHLER Symphony No.4 Barbara Hendricks, IPO\u003cbr\u003e\u003cbr\u003eCD 27:\u003cbr\u003eMENDELSSOHN Octet (orchestral version) IPO\u003cbr\u003e\u003cbr\u003eCDs 28–29:\u003cbr\u003eMOZART Symphonies 34, 39 \u0026amp; 40 · Eine kleine Nachtmusik IPO\u003cbr\u003e\u003cbr\u003eCD 30:\u003cbr\u003ePAGANINI Violin Concerto No.1 Boris Belkin, IPO\u003cbr\u003e\u003cbr\u003eCD 31:\u003cbr\u003ePAGANINI Violin Concerto No.1 · CHAUSSON Poème\u003cbr\u003eWAXMAN Carmen Fantasie · MILSTEIN Paganiniana Sayaka Shoji, IPO\u003cbr\u003e\u003cbr\u003eCDs 32–33:\u003cbr\u003ePUCCINI La fanciulla del West Carol Neblett, Plácido Domingo, Sherrill Milnes, ROH\u003cbr\u003e\u003cbr\u003eCDs 34–35:\u003cbr\u003ePUCCINI Turandot Joan Sutherland, Montserrat Caballé, Luciano Pavarotti, LPO\u003cbr\u003e\u003cbr\u003eCD 36:\u003cbr\u003eSARASATE Carmen Fantasy · CHAUSSON Poème (1986)\u003cbr\u003eSAINT-SAËNS Havanaise · Introduction and Rondo capriccioso (1986)\u003cbr\u003eRAVEL Tzigane Itzhak Perlman, NYP\u003cbr\u003e\u003cbr\u003eCD 37:\u003cbr\u003eSCHMIDT Symphony No.4 · EINEM Symphony No.1 “Philadelphia” WP\u003cbr\u003e\u003cbr\u003eCDs 38–42:\u003cbr\u003eSCHUBERT Symphonies 1–6, 8, 9 · Rosamunde (excerpts) IPO\u003cbr\u003e\u003cbr\u003eCDs 43–45:\u003cbr\u003eSCHUMANN Symphonies 1–4 · Overtures Genoveva · Manfred WP\u003cbr\u003e\u003cbr\u003eCDs 46–47:\u003cbr\u003eTCHAIKOVSKY Symphony No.5 · Swan Lake Suite · The Nutcracker Suite IPO\u003cbr\u003e\u003cbr\u003eCDs 48–51:\u003cbr\u003eVERDI Il trovatore Antonella Banaudi, Shirley Verrett, Leo Nucci\u003cbr\u003eVERDI La traviata Kiri Te Kanawa, Alfredo Kraus, Dmitri Hvorostovsky, MMF\u003cbr\u003e\u003cbr\u003eCD 52:\u003cbr\u003eVERDI Arias from Aida · Un ballo in maschera · Otello · Ernani Leontyne Price, IPO\u003cbr\u003eMASSENET Manon Ah! dispar, vision Luciano Pavarotti, NYP\u003cbr\u003e\u003cbr\u003eCD 53:\u003cbr\u003eROSSINI La scala di seta Overture · VERDI La traviata Preludes I \u0026amp; III · I vespri siciliani Overture\u003cbr\u003eWEBER Oberon Overture · MENDELSSOHN A Midsummer Night’s Dream Nocturne \u0026amp; Scherzo IPO\u003cbr\u003e\u003cbr\u003eCD 54:\u003cbr\u003eROSSINI Guillaume Tell Overture · BEETHOVEN Leonore Overture No.3\u003cbr\u003eTCHAIKOVSKY Capriccio italien · RIMSKY-KORSAKOV Capriccio espagnol IPO\u003cbr\u003e\u003cbr\u003eCDs 55–56:\u003cbr\u003eHUBERMAN FESTIVAL, 1982 – VIVALDI Four Seasons · Concerto in B minor RV 580 (Op.3\/10)\u003cbr\u003eJ.S. BACH Concerto for 2 Violins · MOZART Sinfonia concertante K.364; Concertone K.190 Itzhak Perlman, Isaac Stern, Pinchas Zukerman, Ivry Gitlis, Shlomo Mintz, Ida Haendel, IPO\u003cbr\u003e\u003cbr\u003eCD 57:\u003cbr\u003eSIR GEORG SOLTI: A CELEBRATION OF HIS LIFE IN MUSIC\u003cbr\u003eBEETHOVEN Egmont Overture · MOZART Mass in C minor Laudamus te · Le nozze di Figaro Voi che sapete Anne Sofie von Otter\u003cbr\u003eVERDI La forza del destino Pace, pace, mio Dio! · PUCCINI Gianni Schicchi O mio babbino caro Angela Gheorghiu\u003cbr\u003eWAGNER Götterdämmerung Dawn, Siegfried’s Rhine Journey \u0026amp; Closing Scene LPO\u003cbr\u003e\u003cbr\u003eBP = Berliner Philharmoniker\u003cbr\u003eIPO = Israel Philharmonic Orchestra\u003cbr\u003eLPO = London Philharmonic Orchestra\u003cbr\u003eMMF = Maggio Musicale Fiorentino\u003cbr\u003eNYP = New York Philharmonic\u003cbr\u003eWP = Wiener Philharmoniker\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Zubin Mehta","offers":[{"title":"Default Title","offer_id":56697756057980,"sku":"4871820","price":179.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/ZM_Box.png?v=1784879947"},{"product_id":"vivaldi-the-complete-sacred-music-11-cd-boxset","title":"Vivaldi: The Complete Sacred Music - 11 CD Boxset","description":"\u003cp\u003eTry to imagine a world without the Vivaldi Gloria. In fact, imagine never having heard any sacred music by Vivaldi. Just 100 years ago, no one even knew of the existence of any Vivaldi church music. Then in 1926, from a monastery just outside Turin in Italy, came a revelation as extraordinary for music as the discovery of Tutankhamun’s tomb: a crate of 300 Vivaldi manuscripts, including no fewer than 50 sacred works.\u003c\/p\u003e\u003cp\u003eAlthough everyone can hum along to Vivaldi’s Gloria, this 11CD set offers jewels beyond count such as Beatus vir, a Stabat mater, a Dixit Dominus and myriad other brilliant Baroque jewels ready to be discovered. This landmark set means there is no further excuse.\u003c\/p\u003e\u003cp\u003eThe choir and soloists are a veritable ‘who’s who’ of Baroque performance both now and in the recent past—Joyce DiDonato, Charles Daniels, Nathalie Stutzmann, Carolyn Sampson, Robin Blaze, James Bowman, Susan Gritton, Sarah Connolly, Neal Davies and more. Expense was never spared.\u003c\/p\u003e\u003cp\u003eThis collection sheds light on Vivaldi’s great diversity of styles and instrumentation. Many of the composer’s earliest and final works appear to have been written with the all-female forces of the Pietà in mind. Other works dating from a ‘middle’ period (which stretches from the mid-1720s to the early 1730s) are especially flamboyant and include the celebrated Dixit Dominus, RV594.\u003c\/p\u003e\u003cp\u003eThis set re-issues an authoritative (but long deleted) 11CD set. The recordings date between 1994 and 2002. An essay by Michael Talbot is offered in English, French and German, while sung texts are presented in their original Latin and in English.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eMagnificat, RV610a · Dixit Dominus, RV594 · Lauda, Jerusalem, RV609 · Kyrie, RV587 · Credo, RV591 \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Susan Gritton, Lisa Milne, Catherine Denley, Lynton Atkinson \u0026amp; David Wilson-Johnson\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eIn furore iustissimae irae, RV626 · Longe mala, umbrae, terrores, RV629 · Clarae stellae, scintillate, RV625 · Canta in prato, ride in monte, RV623 · Filiae maestae Jerusalem, RV638 · Nulla in mundo pax sincera, RV630\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Deborah York, Catherine Denley \u0026amp; James Bowman\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD3\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eDixit Dominus, RV595 · Domine ad adiuvandum, RV593 · Credidi propter quod, RV605 · Beatus vir, RV598\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Catrin Wyn-Davies, Catherine Denley, Charles Daniels, Neal Davies \u0026amp; Michael George\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD4 \u0026amp; CD5\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eJuditha Triumphans devicta Holofernes barbarie, RV644 \u003cbr\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly \u0026amp; Jean Rigby\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD6\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eIn turbato mare irato, RV627 · Non in pratis aut in hortis, RV641 · Stabat mater, RV621 · O qui caeli terraeque serenitas, RV631 · Deus tuorum militum, RV612 · Confitebor tibi, Domine, RV596\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Jean Rigby, Robin Blaze, Charles Daniels \u0026amp; Neal Davies\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD7\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eBeatus vir, RV795 · Salve regina, RV617 · Laudate Dominum, RV606 · In exitu Israel, RV604 · Nisi Dominus, RV608\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Nathalie Stutzmann, Hilary Summers \u0026amp; Alexandra Gibson\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD8\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eLaetatus sum, RV607 · Laudate pueri, RV601 · Vestro Principi divino, RV633 · Jubilate, o amoeni chori, RV639 · Gloria in excelsis Deo, RV588\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Carolyn Sampson, Nathalie Stutzmann \u0026amp; Charles Daniels\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD9\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSum in medio tempestatum, RV632 · Laudate pueri, RV600 · Cur sagittas, cur tela, RV637 · Sanctorum meritis, RV620 · Salve regina, RV616\u003cbr\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Susan Gritton, Tuva Semmingsen \u0026amp; 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This, the debut release for Trinity’s newly appointed Director of Music Steven Grahl, presents three of Finzi’s larger choral works in first recordings of these arrangements.\u003c\/p\u003e\u003cp\u003eWritten during the 1930s and ’40s, this music dwells on the transience of mortal life and human happiness through Finzi’s unique compositional voice: a mix of outwardly festive works (For St Cecilia) and darker, more introspective music (Requiem da camera). Each of these major works is newly published in arrangements for choir and organ, enabling future performance opportunities for a wider range of ensembles.\u003c\/p\u003e\u003cp\u003e‘For St Cecilia’ was scored originally for solo tenor, chorus and full orchestra, but appears here with the orchestral parts arranged for organ by Robert Gower. 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Finzi\/Gower: In terra pax, Op 39 - 2: And lo, the angel of the Lord came upon them — Hilary Cronin, Florian Störtz; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e8. Finzi\/Jackson: Requiem da camera - 1: Prelude — Augustine Cox\u003cbr\u003e9. Finzi\/Jackson: Requiem da camera - 2: How still this quiet cornfield is tonight! — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e10. Finzi\/Jackson: Requiem da camera - 3: So beautiful it is, I never saw — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e11. Finzi\/Jackson: Requiem da camera - 3: Only a man harrowing clods — Florian Störtz, Augustine Cox; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e12. Finzi\/Jackson: Requiem da camera - 4: We who are left, how shall we look again? — Steven Grahl: The Choir of Trinity College Cambridge\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Choir of Trinity College Cambridge, Steven Grahl","offers":[{"title":"Default Title","offer_id":57178519765372,"sku":"CDA68487","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/CDA68487_577c12a0-5ed6-4511-bc7f-adfec4caf2a5.png?v=1784276885"},{"product_id":"verdi-cd","title":"Verdi: CD","description":"\u003cp\u003eLise Davidsen performs the arias from five of Verdi’s greatest operas: Macbeth, Un ballo in Maschera, La forza del destino, Don Carlo, and Aida.\u003c\/p\u003e\u003cp\u003eThrough the chronological sequencing of compositions, Davidsen explores the pinnacle of 19th-century Italian opera, leading us through the journey of Verdi’s emotional and dramatic development.\u003c\/p\u003e\u003cp\u003eFrom the psychological intensity of Macbeth to the grandeur and tragedy of Aida, Davidsen brings her vocal power and remarkable nuance to five of Verdi’s greatest masterpieces, illuminating the composer’s unmatched gift for drama, passion, and human conflict.\u003c\/p\u003e\u003cp\u003eNel di della vittoria, from Macbeth (Act 1 Scene 2)\u003cbr\u003eDuncano sara qui?, from Macbeth (Act 1 Scene 2)\u003cbr\u003eLa luce langue, from Macbeth (Act 2 Scene 1)\u003cbr\u003eUna Macchia - Largo, from Macbeth (Act 4 Scene 2)\u003cbr\u003eUna Macchia, from Macbeth (Act 4 Scene 2)\u003cbr\u003ePreludio, from Un ballo in maschera (Act 2 Scene 1)\u003cbr\u003eEcco l’orrido campo, from Un ballo in maschera (Act 2 Scene 1)\u003cbr\u003eMa dall’arido, from Un ballo in maschera (Act 2 Scene 1)\u003cbr\u003eMorro, ma prima in grazio, from Un ballo in maschera (Act 3 Scene 1)\u003cbr\u003eSono giunta!, from La forza del destino (Act 2 Scene 1)\u003cbr\u003eLa Vergine degli Angeli, from La forza del destino (Act 2 scene 2)\u003cbr\u003eNon pianger, mia compagna, from Don Carlo (Act 2 Scene 1)\u003cbr\u003eTu che le vanita - Largo, from Don Carlo (Act 5 Scene 2)\u003cbr\u003eTu che le vanita - Francia, from Don Carlo (Act 5 Scene 2)\u003cbr\u003eRitorna Vincitor!, from Aida (Act 1 Scene 3)\u003c\/p\u003e","brand":"Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen","offers":[{"title":"Default Title","offer_id":57206294708604,"sku":"4872241","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/verid.png?v=1784883365"},{"product_id":"bach-the-well-tempered-clavier-i-2cd","title":"Bach: The Well-tempered Clavier I: 2CD","description":"\u003cp\u003eHyperion proudly welcomes the Korean-American pianist Minsoo Sohn to the roster for the first in a series of recordings of iconic piano repertoire.\u003cbr\u003e \u003cbr\u003eThis new recording of the first book of Bach’s Well-tempered Clavier is a personal tribute to Minsoo’s teacher, the legendary American pianist Russell Sherman, who considered the work one of the highest expressions of the human spirit. 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TCHAIKOVSKY\/PROKOFIEV\/BERLIOZ: Romeo et Julette \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eSAN FRANCISCO SYMPHONY\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD2. RUSSO: 3 Pieces for Blues Band and Symphony Orchestra • BERNSTEIN: \"West Side Story\" – Symphonic Dances\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eThe\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eSiegel-Schwall Band, SAN FRANCISCO SYMPHONY\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD3. BERLIOZ: Symphonie fantastique\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD4–5. BERLIOZ: La Damnation de Faust \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eStuart Burrows, Donald McIntyre, Thomas Paul, Tanglewood Festival Chorus\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD6. BEETHOVEN: Piano Concerto No. 5 \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eChristoph Eschenbach\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD7. BARTÓK: The Miraculous Mandarin (Suite) • IVES: Symphony No. 4\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD8–10. RAVEL Orchestral Works\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD11. BRAHMS: Symphony No. 2\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD12–13. BERLIOZ: Roméo et Juliette \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eJulia Hamari, Jean Dupouy, New England Conservatory Chorus\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003e\u003cbr\u003e\u003cem\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD14. RUSSO: Street Music • GERSHWIN: An American in Paris\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eCorky Siegel, SAN FRANCISCO SYMPHONY\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD15. GLAZUNOV: Chant du Ménestrel • SHOSTAKOVICH: Cello Concerto No. 2 • FALLA: El sombrero de tres picos \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eMstislav Rostropovich, Teresa Berganza\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD16. RIMSKY-KORSAKOV: Scheherazade • BARTÓK: Music For Strings, Percussion And Celesta \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eJoseph Silverstein\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD17. TCHAIKOVSKY: Symphony No. 5 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD18. MOZART: Clarinet Concerto; Bassoon Concerto • TAKEMITSU: Quatrain; A Flock Descends Into The Pentagonal Garden \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eHarold Wright, Sherman Walt, Ensemble Tashi\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD19. BRAHMS: Symphony No. 1 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD20. RESPIGHI: Pines Of Rome; Roman Festivals; Fountains Of Rome\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD21. MAHLER: Symphony No. 1\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD22. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eBERG: Violin Concerto • STRAVINSKY: Violin Concerto \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eItzhak Perlman\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD23. RESPIGHI: Ancient Airs And Dances\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD24–25. TCHAIKOVSKY: Swan Lake\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD26–27. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eOFFENBACH: Les Contes d'Hoffmann\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003ePlácido Domingo, Edita Gruberová, Choir R.T.F. Maitrise De Radio France\u003cbr\u003eORCHESTRE NATIONAL DE FRANCE\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD28–29. PROKOFIEV: Romeo and Juliet\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD30. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eFAURE: Pelléas et Mélisande; Après un Rêve; Pavane; Elégie \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eDolly Lorraine Hunt Lieberson, Tanglewood Festival Chorus, Jules Eskin\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD31. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCHABRIER: España \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e• \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eGOUNOD: Faust Ballet Music \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e• \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eTHOMAS: \"Mignon\" Overture \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e• \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eOFFENBACH: Gaîté parisienne\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD32. LISZT: Piano Concertos Nos. 1 \u0026amp; 2, Totentanz \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eKrystian Zimerman\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD33. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003ePOULENC: Gloria; Stabat Mater \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eKathleen Battle, Tanglewood Festival Chorus\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD34. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: Symphony No. 4; Capriccio italien \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD35. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: Symphony No. 5; Overture 1812\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD36. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eBARTÓK: Concerto for Viola and Orchestra; Music For Strings, Percussion And Celesta\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003e Wolfram Christ\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCD37–40. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003ePROKOFIEV: Symphonies Nos. 1–7, Lieutenant Kijé\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBERLINER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD41. HONEGGER: Jeanne d'Arc au bûcher Oratorio dramatique\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eMarthe Keller, Georges Wilson, Choir R.T.F. Maitrise De Radio France\u003cbr\u003eORCHESTRE NATIONAL DE FRANCE\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD42. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: The Nutcracker\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD43. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: The Nutcracker; The Sleeping Beauty Suite\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD44. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eBARTÓK: Violin Concerto No. 2 • MORET: En reve \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eAnne-Sophie Mutter\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD45. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eFRANCK: Symphony • POULENC: Concerto for Organ, Strings and Percussion \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eEverett Firth, Simon Preston\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD46. POULENC: Concert Champêtre \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eTrevor Pinnock\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD47. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eSHOSTAKOVICH: Violin Concerto No. 2 • SCHUMANN\/SHOSTAKOVICH: Violin Concerto \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eGidon Kremer\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD48. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eMENDELSSOHN: A Midsummer Night's Dream \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eKathleen Battle, Frederica von Stade, Narrated by Judi Dench, Tanglewood Festival Chorus\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD49. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eRACHMANINOFF: Piano Concertos Nos. 1 \u0026amp; 2 \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eKrystian Zimerman\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD50. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003ePROKOFIEV: Piano Concerto No. 2 • RAVEL: Piano Concerto in G\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eYundi, BERLINER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD51. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eMENDELSSOHN: A Midsummer Night's Dream (Japanese narration version)\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eNarrated by Sayuri Yoshinaga, Kathleen Battle, Frederica von Stade, Tanglewood Festival Chorus\u003cbr\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD52. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTHE TOKYO GALA CONCERT\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eAnne-Sophie Mutter, Diego Matheuz, SAITO KINEN ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTHE PHILIPS RECORDINGS (I)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD53. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eBEETHOVEN: Symphony No. 9 \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eAmbrosian Singers, Anna Reynolds, Helge Brilioth, John McCarthy, Karl Ridderbusch, Marita Napier\u003cbr\u003eNEW PHILHARMONIA ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD54. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: Symphony No. 6\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD55. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTCHAIKOVSKY: The Nutcracker; The Sleeping Beauty \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eORCHESTRE DE PARIS\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD56. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eDVORAK: Symphony No. 9; Carnival Overture \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD57. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eBEETHOVEN: Symphony No. 3 \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eSAN FRANCISCO SYMPHONY\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eCD58–59. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eSCHOENBERG : Gurrelieder \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eJames McCracken, Jessye Norman, Tatiana Troyanos, Tanglewood Festival Chorus\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD60. WU TSU-CHIANG (WU ZUQUANG): Little Sisters of the Grassland; Concerto for Pipa \u0026amp; Orchestra • SOUSA: The Stars and Stripes Forever • LISZT: Piano Concerto No. 1 \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eLiu Teh-Hai, Liu Shin-Kun\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD61. HOLST: The Planets \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD62. STRAVINSKY: The Rite of Spring \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD63. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eMAHLER: Symphony No. 8 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD64. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eR.STRAUSS: Also Sprach Zarathustra; Ein Heldenleben\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD65. T\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eCHAIKOVSKY • SIBELIUS: Violin Concertos \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eViktoria Mullova\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD66–68. MAHLER: Symphonies Nos. 2, 4, 1\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eKiri te Kanawa\u003cbr\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD69. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eORFF: Carmina Burana\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eEdita Gruberová, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staatschores Berlin, Berliner Domchor\u003cbr\u003eBERLINER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD70–71. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eR.STRAUSS: Elektra\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: IT;\"\u003eHildegard Behrens, Christa Ludwig, Nadine Secunde, Ragnar Ulfung, Jorma Hynninen\u003cbr\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD72–73. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eBIZET: Carmen\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eJessye Norman, Neil Shicoff, Simon Estes, ORCHESTRE NATIONAL DE FRANCE\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eCD74. MAHLER: Symphony No. 7\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eCD75. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eMAHLER: Symphony No. 7; Kindertotenlieder \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eJessye Norman, BOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eCD76. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eWAGNER: Overtures \u0026amp; Preludes \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBERLINER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin: 0cm 0cm 2.0pt 47.2pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eTHE DECCA RECORDINGS (I)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eCD77. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003ePOULENC: Concerto for 2 Pianos • MILHAUD: Scaramouche  \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1; mso-ansi-language: FR;\"\u003eKatia Labèque, Marielle Labèque\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1; mso-ansi-language: DE;\"\u003eCD78–80. \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eMAHLER: Symphonies Nos. 9, 10, 5\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD81. J.S. BACH: Transcriptions by Stokowski\/Schoenberg\/Stravinsky\/Webern\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD82. DVORÁK: Symphony No. 9 \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eWIENER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD83–85. MAHLER: Symphonies Nos 3 \u0026amp; 6 \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eJessye Norman, American Boy Choir, Tanglewood Festival Chorus\u003cbr\u003eBOSTON SYMPHONY ORCHESTRA\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD86. DVORÁK: Symphony No. 8; The Noon Witch\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD87. RIMSKY-KORSAKOV: Scheherazade; Russian Easter Festival \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eWIENER PHILHARMONIKER\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD88–89. R. STRAUSS: Salome \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eJessye Norman, James Morris, Walter Raffeiner, Kerstin Witt, Richard Leech, Annette Markert, Andreas Conrad, Karl-Friedrich Hölzke\u003cbr\u003eSTAATSKAPELLE DRESDEN\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"margin-bottom: 2.0pt;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003eCD90. BARTÓK: Concerto for Orchestra; The Miraculous Mandarin \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003eTanglewood Festival Chorus\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; color: black; mso-themecolor: text1;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Aptos Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Seiji Ozawa","offers":[{"title":"Default Title","offer_id":57221345804668,"sku":"4848849","price":1000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/4848849.png?v=1785413708"},{"product_id":"hall-of-mirrors-cd","title":"Hall of Mirrors: CD","description":"\u003cp\u003eMishka Rushdie Momen’s debut Hyperion album ‘Reformation’ topped the UK Classical Chart, persuading critics and listeners worldwide to embrace the rich sonorities of a modern grand piano in early works written originally for harpsichord. This culminated in a raft of rave reviews around the globe and the album’s selection as one of The Times’ Albums of the Year.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFor this her second album, Mishka turns from England to France and jumps forward two generations to the court of Louis XIV and in particular to the music of Versailles. As a showcase of soft power, Versailles was unparalleled in the world, presenting French leadership manners, in horsemanship and in industries like glass-making, of which windows and mirrors of the famous ‘Galerie des Glaces’ bear eloquent witness even now. The Sun-King’s palace offered an inexhaustible cycle of concerts, dance and spectacle in which the King was no mere spectator but a dancer of the ballet and a capable musician across numerous instruments. Mishka explores keyboard works by two acknowledged giants and one near-unknown. François Couperin was one of Louis XIV’s first new organists of the Royal Chapel, part of a dynasty that forms a kind of French counterpart to that of the Bach family in Germany. The music’s warmth, brilliant resonance and musical language, designed for the grand spaces of Versailles, make it eminently suitable for performance on a modern grand piano.\u003c\/p\u003e\u003cp\u003eCouperin: Pièces de clavecin, Book 1 - 4e Ordre No 4: Le Réveil-matin\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 1: Premier Prélude\u003cbr\u003eCouperin: Pièces de clavecin, Book 3 - 18e Ordre No 6: Le Tic-Toc-Choc ou les Maillotins\u003cbr\u003eCouperin: Pièces de clavecin, Book 4 - 25e Ordre No 5: Les ombres errantes\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 8: Huitième Prélude\u003cbr\u003eRameau: Suite in E minor - Movement 1: Allemande\u003cbr\u003eRameau: Suite in E minor - Movement 2: Courante\u003cbr\u003eRameau: Suite in E minor - Movement 3a: Gigue en rondeau I\u003cbr\u003eRameau: Suite in E minor - Movement 3b: Gigue en rondeau II\u003cbr\u003eRameau: Suite in E minor - Movement 4: Le rappel des oiseaux\u003cbr\u003eRameau: Suite in E minor - Movement 5: Rigaudons I, II \u0026amp; double\u003cbr\u003eRameau: Suite in E minor - Movement 6: Musette en rondeau\u003cbr\u003eRameau: Suite in E minor - Movement 7: Tambourin\u003cbr\u003eRameau: Suite in E minor - Movement 8: La villageoise (rondeau)\u003cbr\u003eJacquet: Suite No 2 in G minor - No 1: Prélude\u003cbr\u003eJacquet: Suite No 2 in G minor - No 2: Allemande\u003cbr\u003eJacquet: Suite No 2 in G minor - No 3: Courante I\u003cbr\u003eJacquet: Suite No 2 in G minor - No 4: Courante II\u003cbr\u003eJacquet: Suite No 2 in G minor - No 5: Sarabande\u003cbr\u003eJacquet: Suite No 2 in G minor - No 6: Gigue I\u003cbr\u003eJacquet: Suite No 2 in G minor - No 7: Gigue II\u003cbr\u003eJacquet: Suite No 2 in G minor - No 8: Menuet \u0026amp; double\u003cbr\u003eCouperin: Pièces de clavecin, Book 4 - 22e Ordre No 6: Les tours de passe-passe\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 6: Sixième Prélude\u003cbr\u003eCouperin: Pièces de clavecin, Book 3 - 14e Ordre No 6: Le carillon de Cithère\u003cbr\u003eCouperin: Quatrième concert royal - Movement 7: Forlane: Rondeau\u003c\/p\u003e","brand":"Mishka Rushdie Momen","offers":[{"title":"Default Title","offer_id":57232737403260,"sku":"CDA68484","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/HoM.png?v=1785487806"},{"product_id":"women-and-the-piano-cd","title":"Women and the Piano: CD","description":"\u003cp\u003eMartínez: Keyboard Sonata in A major - Movement 1: Allegro\u003cbr\u003eMartínez: Keyboard Sonata in A major - Movement 2: Rondo: Adagio\u003cbr\u003eMartínez: Keyboard Sonata in A major - Movement 3: Tempo di minuetto\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 1: Moderato\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 2: Largo\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 3: Rondo: Allegro\u003cbr\u003eMontgeroult: Étude No 106 in B major\u003cbr\u003eSzymanowska: Caprice sur la romance de Joconde\u003cbr\u003eMendelssohn (Fanny): Abschied von Rom\u003cbr\u003eSchumann (C): Soirées musicales, Op 6 - No 2: Notturno\u003cbr\u003eSchumann (C): 3 Romances, Op 21 - No 3 in G minor: Agitato\u003cbr\u003eMenter: Romance, Op 5\u003cbr\u003eCarreño: Un bal en rêve, Op 26\u003cbr\u003eOhe: Melodie, Op 4 No 1\u003cbr\u003eBeach: Sketches, Op 15 - No 3: Dreaming\u003cbr\u003eChaminade: Études de concert, Op 35 - No 2: Automne\u003cbr\u003eDa Costa: Razor blades\u003c\/p\u003e","brand":"Susan Tomes","offers":[{"title":"Default Title","offer_id":57257069379964,"sku":"CDA68489","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/0034571284897.png?v=1786089546"},{"product_id":"eternity-in-an-hour-2cd","title":"Eternity in an Hour - 2CD","description":"\u003cp\u003eAn immersive meditation in sound\u003cbr\u003eGrammy award-winning and pioneering composer Eric Whitacre releases a major new electro-choral work for voices, strings, piano, and electronics.\u003c\/p\u003e\u003cp\u003eTo see a world in a grain of sand\u003cbr\u003eAnd a heaven in a wildflower,\u003cbr\u003eHold infinity in the palm of your hand\u003cbr\u003eAnd eternity in an hour.\u003cbr\u003e— William Blake, from Auguries of Innocence —\u003c\/p\u003e\u003cp\u003eInspired by William Blake’s poem, Auguries of Innocence, this immersive meditative sound is a 60-minute work which first premiered at the BBC Proms in 2024. Conducted by Eric, this work combines his first love of electronica and synthesisers with choral music.\u003cbr\u003e \u003cbr\u003e“My hope with Eternity in an Hour is that the music will help the listener (and the performers and, candidly, me) experience a little bit of that awe and timelessness.” – Eric Whitacre\u003c\/p\u003e","brand":"Eric Whitacre","offers":[{"title":"Default Title","offer_id":57257085108604,"sku":"4872246","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Whitacre_CD.png?v=1786090985"},{"product_id":"eternity-in-an-hour-2lp","title":"Eternity in an Hour - 2LP","description":"\u003cp\u003eAn immersive meditation in sound\u003cbr\u003eGrammy award-winning and pioneering composer Eric Whitacre releases a major new electro-choral work for voices, strings, piano, and electronics.\u003c\/p\u003e\u003cp\u003eTo see a world in a grain of sand\u003cbr\u003eAnd a heaven in a wildflower,\u003cbr\u003eHold infinity in the palm of your hand\u003cbr\u003eAnd eternity in an hour.\u003cbr\u003e— William Blake, from Auguries of Innocence —\u003c\/p\u003e\u003cp\u003eInspired by William Blake’s poem, Auguries of Innocence, this immersive meditative sound is a 60-minute work which first premiered at the BBC Proms in 2024. Conducted by Eric, this work combines his first love of electronica and synthesisers with choral music.\u003cbr\u003e \u003cbr\u003e“My hope with Eternity in an Hour is that the music will help the listener (and the performers and, candidly, me) experience a little bit of that awe and timelessness.” – Eric Whitacre\u003c\/p\u003e","brand":"Eric Whitacre","offers":[{"title":"Default Title","offer_id":57257090220412,"sku":"4872323","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Eternity_in_an_Hour_-_2LP.png?v=1786091345"},{"product_id":"signed-emotional-architecture-lithograph","title":"Signed Emotional Architecture Lithograph","description":"\u003cp\u003eEric created this lithograph inspired by the 'emotional architecture’ sketch of \u003cem\u003eEternity in an Hour. \u003c\/em\u003eThe emotional architecture is a process that Eric goes through before writing a note of the music to design the emotional journey for the audience. Each circle represents one of the movements of the piece, and was the inspiration for the album artwork. Every lithograph is hand-signed by Eric and is printed on onto 550 gsm Recycled Uncoated card.\u003c\/p\u003e","brand":"Eric Whitacre","offers":[{"title":"Default Title","offer_id":57257109094780,"sku":"600574110183","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/litho_1_8cb19a3f-6f46-43df-bd6f-ea148115cac7.png?v=1786097044"},{"product_id":"mission-impossible-music-from-the-original-motion-picture-score-30th-anniversary-edition-2lp","title":"Mission Impossible (Music From The Original Motion Picture Score) - 30th Anniversary Edition 2LP","description":"\u003cp\u003eA new transparent blue coloured 2LP variant of this iconic soundtrack, marking the 30th anniversary of Danny Elfman's score to the 1996 blockbuster movie Mission: Impossible.\u003c\/p\u003e\u003cp\u003eIt includes the instantly recognisable Mission: Impossible theme, originally composed by Lalo Schifrin for the 1960s TV series, and rearranged by Elfman for the first movie in the Tom Cruise action franchise. The theme is known for its suspense-filled rhythm with an unusual 5\/4 time signature, and the famous four-note motif that opens the piece: a musical nod to the Morse Code pattern for the letters M.I. (‐‐ ··). This clever encoding not only ties the theme directly to the title but also reinforces the atmosphere of secret communications, covert operations, and puzzles that define the world of Mission: Impossible.\u003cbr\u003e\u003cbr\u003eSide A\u003c\/p\u003e\u003cp\u003e1. Sleeping Beauty 2:28 \u003cbr\u003e2. Mission: Impossible Theme 1:02 \u003cbr\u003e3. Red Handed 4:21 \u003cbr\u003e4. Big Trouble 5:33 \u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003e5. Love Theme? 2:21 \u003cbr\u003e6. Mole Hunt 3:02 \u003cbr\u003e7. The Disc 1:54 \u003cbr\u003e8. Max Found 1:02 \u003cbr\u003e9. Looking For \"Job\" 4:38 \u003c\/p\u003e\u003cp\u003eSide C\u003c\/p\u003e\u003cp\u003e10. Betrayal 2:56 \u003cbr\u003e11. The Heist 5:46 \u003cbr\u003e12. Uh-Oh! 1:28 \u003cbr\u003e13. Biblical Revelation 1:33 \u003c\/p\u003e\u003cp\u003eSide D\u003c\/p\u003e\u003cp\u003e14. Phone Home 2:25 \u003cbr\u003e15. Train Time 4:11 \u003cbr\u003e16. Ménage Á Trois 2:55 \u003cbr\u003e17. Zoom A 1:53 \u003cbr\u003e18. Zoom B 2:54\u003c\/p\u003e","brand":"Danny Elfman","offers":[{"title":"Default Title","offer_id":57333825438076,"sku":"6123233","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Mission_Impossible.png?v=1787297826"},{"product_id":"chopin-the-complete-works-16-cd-boxset","title":"Chopin: The Complete Works - 16 CD Boxset","description":"\u003cp\u003ePeerless in this repertoire, Garrick Ohlsson is the most recent Jury Chair at the International Chopin Piano Competition and winner himself of the 1970 Competition.\u003c\/p\u003e\n\u003cp\u003eAside from all the solo piano music, the set presents the piano concertos, other concert works, the cello sonata, the piano trio, the songs and more, thus offering every last note Chopin ever wrote. It also includes the only work on the set not featuring Ohlsson: the recently discovered Waltz ‘found in New York’, which Sir Stephen Hough set down for Hyperion within days of the work’s announcement. This set can claim to be the most complete Chopin set ever presented to the world.\u003cbr\u003eAlso featured are the Warsaw Philharmonic Orchestra and conductor Kazimierz Kord, violinist Leila Josefowicz, cellist Carter Brey and alto Ewa Podleś.\u003c\/p\u003e\n\u003cdiv class=\"ZKRKU\"\u003e\n\u003cdiv class=\"fV3Jt\"\u003e\n\u003cdiv class=\"GOJZx\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"i_jYa VP_4j\"\u003e\n\u003cdiv class=\"Cvgi1\"\u003e\n\u003cdiv class=\"bK30V\"\u003e\n\u003cdiv class=\"dp1RD\"\u003e\n\u003cdiv class=\"i_jYa VP_4j\"\u003e\n\u003cdiv class=\"Cvgi1\"\u003e\n\u003cdiv class=\"bK30V\"\u003e\n\u003cdiv class=\"dp1RD\"\u003e\n\u003cdiv class=\"ZKRKU\"\u003e\n\u003cdiv class=\"fV3Jt\"\u003e\n\u003cdiv class=\"GOJZx\"\u003e\n\u003cdiv class=\"agPPc U4hHe hWX7X fs-mask\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\/Reportoire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 1\u003cbr\u003ePiano Sonatas\u003cbr\u003e\u003cbr\u003eDISC 2\u003cbr\u003e24 Préludes, Op 28;\u003cbr\u003ePresto con leggerezza ‘Prelude in A flat major’, KKIVb\/7\u003cbr\u003ePrelude in C sharp minor, Op 45;\u003cbr\u003eFuneral March in C minor, Op 72 No 2;\u003cbr\u003eFugue in A minor, KKIVc\/2;\u003cbr\u003e\u003cbr\u003eDISC 3\u003cbr\u003eÉtudes, Opp 10 \u0026amp; 25;\u003cbr\u003eNouvelles études, KKIIb\/3\u003cbr\u003e\u003cbr\u003eDISC 4\u003cbr\u003eFantasy in F minor, Op 49;\u003cbr\u003e4 Ballades;\u003cbr\u003eIntroduction and Rondo in E flat major, Op 16\u003cbr\u003eRondo in C major, Op 73\u003cbr\u003e\u003cbr\u003eDISC 5\u003cbr\u003e4 Scherzi;\u003cbr\u003eMorceau de Concert;\u003cbr\u003eIntroduction and Variations on a German national air;\u003cbr\u003eVariations brillantes;\u003cbr\u003eAllegro de concert in A major, Op 46\u003cbr\u003e\u003cbr\u003eDISC 6\u003cbr\u003e5 Polonaises;\u003cbr\u003eIntroduction and Bolero in A minor, Op 19;\u003cbr\u003eTarantelle in A flat major, Op 43;\u003cbr\u003e3 Impromptus;\u003cbr\u003eFantasy Impromptu in C sharp minor, Op 66;\u003cbr\u003e\u003cbr\u003eDISC 7\u003cbr\u003e11 Polonaises\u003cbr\u003e\u003cbr\u003eDISC 8\u003cbr\u003e12 Nocturnes\u003cbr\u003e\u003cbr\u003eDISC 9\u003cbr\u003e8 Nocturnes;\u003cbr\u003eLento con gran espressione in C sharp minor ‘Nocturne’, KKIVa\/16;\u003cbr\u003eCantabile in B flat major, KKIVb\/6;\u003cbr\u003eModerato in E major ‘Albumblatt’, KKIVb\/12\u003cbr\u003e\u003cbr\u003eDISC 10\u003cbr\u003e20 Waltzes:\u003cbr\u003eContredanse in G flat major;\u003cbr\u003e3 Ecossaises;\u003cbr\u003e+ Waltz in A minor ‘Morgan Library MS’\u003cbr\u003e\u003cem\u003eStephen Hough\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eDISC 11 \u003cbr\u003eMazurkas, Opp. 6, 7, 17, 24, 30, 33, 41\u003cbr\u003e\u003cbr\u003eDISC 12 \u003cbr\u003eMazurkas, Opp. 50, 56, 59, 63, 67, 68, ...\u003cbr\u003e\u003cbr\u003eDISC 13\u003cbr\u003ePiano Concertos\u003cbr\u003e\u003cem\u003ewith Warsaw Philharmonic Orchestra \/ Kazimierz Kord\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eDISC 14\u003cbr\u003eVariations on ‘Là ci darem la mano’ from Mozart’s Don Giovanni;\u003cbr\u003eFantasy on Polish Airs, Op 13;\u003cbr\u003eRondo à la krakowiak, Op 14;\u003cbr\u003eAndante spianato and Grande Polonaise, Op 22\u003cbr\u003e\u003cbr\u003eDISC 15  Cello Sonata in G minor, Op 65\u003cbr\u003e\u003cem\u003eCarter Brey (cello)\u003cbr\u003e\u003c\/em\u003ePiano Trio in G minor, Op 8\u003cbr\u003e\u003cem\u003eLeila Josefowicz (violin), Carter Brey (cello)\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eDISC 16 \u003cbr\u003eSongs\u003cbr\u003e\u003cem\u003ewith Ewa Podleś (alto), Elizabeth Mann (flute)\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"i_jYa VP_4j\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"Cvgi1\"\u003e\n\u003cdiv class=\"bK30V\"\u003e\n\u003cdiv class=\"dp1RD\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Garrick Ohlsson","offers":[{"title":"Default Title","offer_id":57334583361916,"sku":"CDS4485166","price":54.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/CD2_3.png?v=1787311933"},{"product_id":"hope-in-shadow-2lp","title":"Hope in Shadow - 2LP","description":"\u003cp\u003eInternationally acclaimed cellist Sheku Kanneh-Mason presents his ninth studio album, Hope in Shadow.\u003c\/p\u003e\u003cp\u003eRecorded with Edward Gardner and the London Philharmonic Orchestra, the album features Saint-Saëns' Cello Concerto No. 1, Bruch's Kol Nidrei, Bloch's Schelomo: Rhapsodie Hébraïque, and John Williams' Theme from Schindler's List.\u003cbr\u003e \u003cbr\u003e“For this album I wanted to gather pieces which contain their own view of Hope in Shadow; in the sound and in their intent. There is a darkness, a sombre and sorrowful quality that gives way to precious splashes of light. During times which feel so very unstable and affect so many in the world, these works are a small yet powerful outcry to cling to and simply to reflect upon, relate to and perhaps even bring some comfort.”\u003cbr\u003e- Sheku\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003e01 | I. Allegro non troppo\u003cbr\u003e02 | II. Allegretto con moto\u003cbr\u003e03 | III. Tempo I. Molto allegro\u003cbr\u003e04 | XIII. Le cygne (Orch. Vidal)\u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003e01 | Kol Nidrei, Op. 47: a. Adagio ma non troppo\u003cbr\u003e02 | Kol Nidrei, Op. 47: b. Un poco più animato\u003cbr\u003e03 | No. 1, Kaddisch (Transcr. Tognetti for Cello \u0026amp; Orchestra)\u003cbr\u003eSide C\u003cbr\u003e01 | Schelomo, B. 39: a. Lento moderato\u003cbr\u003e02 | Schelomo, B. 39: b. Allegro moderato\u003cbr\u003e03 | Schelomo, B. 39: c. Andante moderato\u003c\/p\u003e\u003cp\u003eSide D\u003cbr\u003e01 | From Jewish Life, B. 54 (Arr. C. Palmer for Cello \u0026amp; Strings): I. Prayer\u003cbr\u003e02 | From Jewish Life, B. 54 (Arr. C. Palmer for Cello \u0026amp; Strings): II. Supplication\u003cbr\u003e03 | From Jewish Life, B. 54 (Arr. C. Palmer for Cello \u0026amp; Strings): III. Jewish Song\u003cbr\u003e04 | Theme from Schindler's List (Version for Cello \u0026amp; Orchestra)\u003c\/p\u003e","brand":"Sheku Kanneh-Mason","offers":[{"title":"Default Title","offer_id":57363124519292,"sku":"4872249","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/sheku_lp_b2bb92d3-6ac6-4572-95c1-6361c79ddea8.png?v=1787939644"},{"product_id":"hope-in-shadow-cd","title":"Hope in Shadow - CD","description":"\u003cp\u003eInternationally acclaimed cellist Sheku Kanneh-Mason presents his ninth studio album, Hope in Shadow.\u003c\/p\u003e\u003cp\u003eRecorded with Edward Gardner and the London Philharmonic Orchestra, the album features Saint-Saëns' Cello Concerto No. 1, Bruch's Kol Nidrei, Bloch's Schelomo: Rhapsodie Hébraïque, and John Williams' Theme from Schindler's List.\u003cbr\u003e \u003cbr\u003e“For this album I wanted to gather pieces which contain their own view of Hope in Shadow; in the sound and in their intent. There is a darkness, a sombre and sorrowful quality that gives way to precious splashes of light. During times which feel so very unstable and affect so many in the world, these works are a small yet powerful outcry to cling to and simply to reflect upon, relate to and perhaps even bring some comfort.”\u003cbr\u003e- Sheku\u003c\/p\u003e\u003cp\u003e01 Saint-Saens: Cello Concerto No.1, Op.33 I Allegro non troppo\u003cbr\u003e02 Saint-Saens: Cello Concerto No.1, Op.33 II Allegretto con moto\u003cbr\u003e03 Saint-Saens: Cello Concerto No.1, Op.33 III Tempo I - Un peu moins vite - Molto allegro\u003cbr\u003e04 Saint-Saens: Carnival of the Animals, R125: XIII. The Swan\u003cbr\u003e05 Bruch: Kol Nidrei, Op.47 - I Adagio ma non troppo\u003cbr\u003e06 Bruch: Kol Nidrei, Op.47 - II Un poco piu animato\u003cbr\u003e07 Ravel arr. Richard Tognetti: Kaddish (from Deux Mélodies Hébraïque)\u003cbr\u003e08 Bloch: Schelomo: Rhapsodie Hébraïque - I Lento Moderato\u003cbr\u003e09 Bloch: Schelomo: Rhapsodie Hébraïque - II Allegro Moderato\u003cbr\u003e10 Bloch: Schelomo: Rhapsodie Hébraïque - III Andante Moderato\u003cbr\u003e11 Bloch: From Jewish Life 1. Prayer\u003cbr\u003e12 Ernest Bloch: From Jewish Life 2. Supplication\u003cbr\u003e13 Ernest Bloch: From Jewish Life 3. Jewish Song\u003cbr\u003e14 John Williams: Schindler’s List\u003c\/p\u003e","brand":"Sheku Kanneh-Mason","offers":[{"title":"Default Title","offer_id":57363125764476,"sku":"4872248","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/sheku_cd_897056a9-a1f8-4563-9c9f-70f0ed98af1b.png?v=1787939763"},{"product_id":"pride-prejudice-flower-filled-vinyl","title":"Pride \u0026 Prejudice Flower Filled Vinyl","description":"\u003cp\u003eThe pastoral beauty of Pride \u0026amp; Prejudice comes to life in an extraordinary new flower-filled vinyl edition. This limited-edition pressing features two tracks from the acclaimed soundtrack - “Dawn” and “Liz on Top of the World” - on clear vinyl filled with real pressed pansies in rich shades of violet, complemented by delicate ferns and greenery. Each botanical element is set by hand, ensuring that no two records are exactly alike.\u003cbr\u003e \u003cbr\u003eAlso exclusive to this edition are alternate cover artwork and a special photo lithograph printed on premium heavyweight fine-art paper, both inspired by the film’s landscapes.\u003cbr\u003e \u003cbr\u003eDario Marianelli’s beloved score for Joe Wright’s 2005 film adaptation - starring Keira Knightley and Matthew Macfadyen - is performed by acclaimed pianist Jean-Yves Thibaudet and the English Chamber Orchestra. Nominated for an Academy Award and two World Soundtrack Awards, and newly certified Gold by the RIAA, the soundtrack continues to enchant a new generation of listeners.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eSide A:\u003cbr\u003e1. Dawn\u003cbr\u003e \u003cbr\u003eSide B: \u003cbr\u003e1. Liz on Top of the World\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":57394685378940,"sku":"7410502","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/P-P_Flower_Packshot_E2_80_93_1_8613d2cb-345f-436f-9a3e-8db028174c4e.png?v=1788350470"},{"product_id":"handel-messiah-vinyl-3lp","title":"Handel: Messiah - Vinyl 3LP","description":"\u003cp class=\"s4\"\u003e\u003cspan class=\"s3\"\u003eChristopher Hogwood's groundbreaking recording of \u003c\/span\u003e\u003cspan class=\"s2\"\u003eHandel's Messiah\u003c\/span\u003e\u003cspan class=\"s3\"\u003e with the Academy of Ancient Music \u003c\/span\u003e\u003cspan class=\"s3\"\u003eis considered to be\u003c\/span\u003e\u003cspan class=\"s3\"\u003e one of the finest of all time. This legendary recording project, regarded as one of the most important recording events of the late twentieth century, will now be released in the \u003c\/span\u003e\u003cspan class=\"s2\"\u003eDecca Pure Analogue Series\u003c\/span\u003e\u003cspan class=\"s3\"\u003e for the highest audiophile sound, introducing Decca's early music imprint, \u003c\/span\u003e\u003cspan class=\"s2\"\u003eL'Oiseau\u003c\/span\u003e\u003cspan class=\"s2\"\u003e-Lyre\u003c\/span\u003e\u003cspan class=\"s3\"\u003e to the series for the first time.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s8\"\u003e\u003cspan class=\"s3\"\u003eRemastered \u0026amp; cut from the \u003c\/span\u003e\u003cspan class=\"s2\"\u003eoriginal stereo master tapes in 100% analogue quality\u003c\/span\u003e\u003cspan class=\"s3\"\u003e (AAA) by the renowned \u003c\/span\u003e\u003cspan class=\"s2\"\u003eEmil Berliner Studios\u003c\/span\u003e\u003cspan class=\"s3\"\u003e, this landmark recording will be issued on 180g virgin vinyl and presented in a hand-numbered, deluxe 3-LP box, featuring the original artwork and booklet with in-depth musical analysis by \u003c\/span\u003e\u003cspan class=\"s2\"\u003eChristopher Hogwood\u003c\/span\u003e\u003cspan class=\"s3\"\u003e and Handel scholar \u003c\/span\u003e\u003cspan class=\"s2\"\u003eAnthony Hicks\u003c\/span\u003e\u003cspan class=\"s3\"\u003e, plus a new note by esteemed music critic \u003c\/span\u003e\u003cspan class=\"s2\"\u003eRichard Bratby\u003c\/span\u003e\u003cspan class=\"s3\"\u003e (author of \u003c\/span\u003e\u003cspan class=\"s7\"\u003eRefiner's Fire: The Academy of Ancient Music \u0026amp; the Historical Performance Revolution\u003c\/span\u003e\u003cspan class=\"s3\"\u003e) with interviews from \u003c\/span\u003e\u003cspan class=\"s2\"\u003eDame Emma Kirkby\u003c\/span\u003e\u003cspan class=\"s3\"\u003e and recording engineer \u003c\/span\u003e\u003cspan class=\"s2\"\u003eJohn Dunkerley\u003c\/span\u003e\u003cspan class=\"s3\"\u003e amongst others. This limited edition will also include additional photos from the recording sessions and facsimiles of the tape boxes.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s8\"\u003e\u003cspan class=\"s9\"\u003e“\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s9\"\u003eLike no \u003c\/span\u003e\u003cspan class=\"s9\"\u003eMessiah\u003c\/span\u003e\u003cspan class=\"s9\"\u003e ever heard before in this century\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"s9\"\u003e”\u003c\/span\u003e\u003cspan class=\"s9\"\u003e — \u003c\/span\u003e\u003cspan class=\"s10\"\u003eThe New York \u003c\/span\u003e\u003cspan class=\"s10\"\u003eTImes\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s8\"\u003e\u003cspan class=\"s11\"\u003e“\u003cem\u003eThis recording is not only one of the shining lights of ‘historically informed performance’, forcing us to rethink what we thought we knew and strewing new ideas in our path; it also remains one of the most deeply convincing Messiahs we have.\u003c\/em\u003e”\u003c\/span\u003e\u003cspan class=\"s12\"\u003e — \u003c\/span\u003e\u003cspan class=\"s13\"\u003eG\u003c\/span\u003e\u003cspan class=\"s13\"\u003eramophone\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s8\"\u003e\u003cspan class=\"s13\"\u003eTracklist\u003c\/span\u003e\u003cspan class=\"s13\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s13\"\u003eGeorge Frideric Handel (1685-1759)\u003c\/span\u003e\u003cspan class=\"s13\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s13\"\u003eMessiah · A Sacred Oratorio (Foundling Hospital Version 1754)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cstrong\u003e\u003cspan class=\"s13\"\u003ePart The First\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s13\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s12\"\u003eSide A:\u003c\/span\u003e\u003cspan class=\"s12\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s12\"\u003e1. \u003c\/span\u003e\u003cspan class=\"s12\"\u003eSinfony\u003c\/span\u003e\u003cspan class=\"s12\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s12\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s12\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s12\"\u003e (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eComfort Ye, Comfort Ye, My People\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eEvery Valley Shall Be Exalted\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd The Glory \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Lord Shall Be Revealed\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThus\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Saith \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Lord \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Hosts\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano II): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBut Who May Abide \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Day \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e His Coming?\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd He Shall Purify The Sons \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Levi\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s15\"\u003eSide B:\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Alto): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBehold, A Virgin Shall Conceive \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Bear \u003c\/span\u003e\u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Son\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Alto) \u0026amp; Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eO Thou That \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTellest\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Good Tidings \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTo\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Zion\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eFor Behold Darkness Shall Cover \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Earth\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe People That Walked \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Darkness Have Seen \u003c\/span\u003e\u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Great Light\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eFor Unto Us \u003c\/span\u003e\u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Child Is Born\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003ePifa\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7a. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThere Were Shepherds, Abiding \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Field\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7b. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd Io, The Angel \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Lord Came Upon Them\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e8. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd The Angel Said \u003c\/span\u003e\u003cspan class=\"s15\"\u003eUnto\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Them, Fear Not\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd Suddenly There Was \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWith\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Angel A Multitude \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Heavenly Host\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e10. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eGlory To God \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Highest\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s15\"\u003eSide C:\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRejoice Greatly, O Daughter \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Zion\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThen Shall \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Eyes \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Blind Be Opened\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHe Shall Feed His Flock Like \u003c\/span\u003e\u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Sheperd\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHis Yoke Is Easy, And His Burden Is Light\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cstrong\u003e\u003cspan class=\"s16\"\u003ePart The Second\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s16\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBehold The Lamb \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e God\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Alto): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHe Was Despised \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Rejected \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Men\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s15\"\u003eSide D:\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1a. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSurely\u003c\/span\u003e\u003cspan class=\"s15\"\u003e He Hath Borne Our Griefs\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1b. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWith\u003c\/span\u003e\u003cspan class=\"s15\"\u003e His Stripes We Are Healed\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAll We Like Sheep Have Gone Astray\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAll They That See Him Laugh Him \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTo\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Scorn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHe Trusted \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e God That He Would Deliver Him\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThy Rebuke Hath Broken His Heart\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBehold \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd\u003c\/span\u003e\u003cspan class=\"s15\"\u003e See If There Be Any \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSorrrow\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Like \u003c\/span\u003e\u003cspan class=\"s15\"\u003eUnto\u003c\/span\u003e\u003cspan class=\"s15\"\u003e His Sorrow\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHe Was Cut Off Out \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Land \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Living\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e8. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBut Thou Didst Not Leave His Soul \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Hell\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9a. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eLift Up Your Heads\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9b. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWho Is \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e King \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Glory?\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9c. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe Lord, Strong \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAnd\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Mighty\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9d. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eLift Up Your Heads\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9e. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWho Is \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e King \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Glory?\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9f. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSemi-Chorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe Lord Of Hosts\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9g. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe Lord Of Hosts\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e10. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eUnto \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWich\u003c\/span\u003e \u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e \u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Angels Said He \u003c\/span\u003e\u003cspan class=\"s15\"\u003eAt\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Any Time\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e11. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eLet All \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Angels \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e God Worship Him\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e12. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano II): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThou Art Gone Up \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e High\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s15\"\u003eSide E:\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe Lord Gave \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Word\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHow Beautiful Are \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Feet \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Them That Preach \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Gospel \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Peace\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTheir Sound Is Gone Out \u003c\/span\u003e\u003cspan class=\"s15\"\u003eInto\u003c\/span\u003e\u003cspan class=\"s15\"\u003e All Lands\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWhy Do \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Nations So Furiously Rage Together\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eLet Us \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBrake\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Their Bonds Asunder\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHe That Dwelleth \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Heaven Shall Laugh Them \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTo\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Scorn\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThou Shalt B\u003c\/span\u003e\u003cspan class=\"s15\"\u003ereake\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Them \u003c\/span\u003e\u003cspan class=\"s15\"\u003eWith\u003c\/span\u003e \u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Rod \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOf\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Iron\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e8. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eHallelujah, For \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Lord God Omnipotent \u003c\/span\u003e\u003cspan class=\"s15\"\u003eReigneth\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Hallelujah Chorus)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cstrong\u003e\u003cspan class=\"s16\"\u003ePart The Third\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s16\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e9. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano I): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eI Know That My Redeemer \u003c\/span\u003e\u003cspan class=\"s15\"\u003eLiveth\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e10. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSince By Man Came Death\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s15\"\u003eSide F:\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e1. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBehold I Tell You \u003c\/span\u003e\u003cspan class=\"s15\"\u003eA\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Mystery\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e2. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Bass): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe Trumpet Shall Sound\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e3. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eRecit\u003c\/span\u003e\u003cspan class=\"s15\"\u003e (Alto): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThen Shall Be Brought \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTo\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Pass \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Saying That Is Written\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e4. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eDuet (Alto, Tenor): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eOh Death, Where Is Thy Sting?\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e5. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eChorus: \u003c\/span\u003e\u003cspan class=\"s15\"\u003eBut Thanks Be \u003c\/span\u003e\u003cspan class=\"s15\"\u003eTo\u003c\/span\u003e\u003cspan class=\"s15\"\u003e God Who Giveth Us \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Victory\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e6. \u003c\/span\u003e\u003cspan class=\"s15\"\u003eSong (Soprano II): \u003c\/span\u003e\u003cspan class=\"s15\"\u003eIf God Be \u003c\/span\u003e\u003cspan class=\"s15\"\u003eFor\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Us\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s15\"\u003e7.\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Chorus:\u003c\/span\u003e \u003cspan class=\"s15\"\u003eWorthy Is \u003c\/span\u003e\u003cspan class=\"s15\"\u003eThe\u003c\/span\u003e\u003cspan class=\"s15\"\u003e Lamb That Was Slain\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s16\"\u003eJudith Nelson\u003c\/span\u003e \u003cspan class=\"s15\"\u003e(Soprano I)\u003c\/span\u003e\u003cspan class=\"s15\"\u003e ·\u003c\/span\u003e\u003cspan class=\"s16\"\u003e Emma Kirkby \u003c\/span\u003e\u003cspan class=\"s15\"\u003e(Soprano II)\u003c\/span\u003e\u003cspan class=\"s16\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s16\"\u003eCarolyn Watkinson\u003c\/span\u003e \u003cspan class=\"s15\"\u003e(Alto) \u003c\/span\u003e\u003cspan class=\"s15\"\u003e·\u003c\/span\u003e\u003cspan class=\"s16\"\u003e Paul Elliott\u003c\/span\u003e \u003cspan class=\"s15\"\u003e(Tenor)\u003c\/span\u003e\u003cspan class=\"s15\"\u003e ·\u003c\/span\u003e\u003cspan class=\"s16\"\u003e David Thomas\u003c\/span\u003e \u003cspan class=\"s15\"\u003e(Bass)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"s14\"\u003e\u003cspan class=\"s16\"\u003eChoir of Christ Church Cathedral, Oxford \u003c\/span\u003e\u003cspan class=\"s15\"\u003e(Simon Preston, director)\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s16\"\u003eThe Academy of Ancient Music\u003c\/span\u003e\u003cspan class=\"s15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s16\"\u003eChristopher Hogwood\u003c\/span\u003e\u003c\/p\u003e","brand":"Christopher Hogwood","offers":[{"title":"Default Title","offer_id":57428783268220,"sku":"4872338","price":106.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/4872338.png?v=1789119544"},{"product_id":"scarlatti-sonatas-vol-3-lp","title":"Scarlatti: Sonatas, Vol. 3 - LP","description":"\u003cp\u003eTen years on from her first forays into Scarlatti, Angela Hewitt makes a long-awaited return to the baroque composer’s ‘fertile invention, variegated colours, capricious mood changes, and extraordinary power to touch our sensibilities’ (BBC Music Magazine).\u003c\/p\u003e\u003cp\u003eFor this new volume of Scarlatti, Hewitt has picked out a further 16 jewels. As Scarlatti scholar Ralph Kirkpatrick puts it: ‘Not one of Scarlatti’s 555 or so keyboard sonatas may be regarded as typical.’ ‘What’s fascinating’, she told International Piano, ‘is that all these guys are writing at the same time, yet so differently: Bach, Handel, Scarlatti, Couperin, Rameau.’ Of course, the special attraction of Scarlatti’s music is as she said, largely tied to ‘the Spanish influence, which was very strong. The stomping of the feet, the strumming of the guitar—it’s a whole different footwork!’\u003c\/p\u003e\u003cp\u003eWith ‘her gifts as a programme builder’ as well as her ‘deep affinity for Scarlatti and exemplary musicianship’ (Gramophone), Hewitt has hand-picked 16 more sonatas. As always, Hewitt offers her own beautifully considered, scholarly booklet notes (additionally in German and French) that emphasise further a lifetime studying and performing these works.\u003c\/p\u003e\u003cp\u003e1. Sonata in D minor, Kk1\u003cbr\u003e2. Sonata in F major, Kk446\u003cbr\u003e3. Sonata in E major, Kk531\u003cbr\u003e4. Sonata in C major, Kk420\u003cbr\u003e5. Sonata in C minor, Kk11\u003cbr\u003e6. Sonata in C major, Kk461\u003cbr\u003e7. Sonata in G major, Kk14\u003cbr\u003e8. Sonata in A major, Kk208\u003cbr\u003e9. Sonata in A major, Kk209\u003cbr\u003e10. Sonata in A major, Kk322\u003cbr\u003e11. Sonata in D major, Kk145\u003cbr\u003e12. Sonata in D minor, Kk417\u003cbr\u003e13. Sonata in C major, Kk460\u003cbr\u003e14. Sonata in F major, Kk518\u003cbr\u003e15. Sonata in F minor, Kk519\u003cbr\u003e16. Sonata in F minor, Kk466\u003c\/p\u003e","brand":"Angela Hewitt","offers":[{"title":"Default Title","offer_id":57428849394044,"sku":"LPA68395","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Scarlatti-_Sonatas_2C_Vol._3_9cc89bc6-3821-4cf3-af7e-f0505afd234f.png?v=1789046584"},{"product_id":"scarlatti-sonatas-vol-3-cd","title":"Scarlatti: Sonatas, Vol. 3 - CD","description":"\u003cp\u003eTen years on from her first forays into Scarlatti, Angela Hewitt makes a long-awaited return to the baroque composer’s ‘fertile invention, variegated colours, capricious mood changes, and extraordinary power to touch our sensibilities’ (BBC Music Magazine).\u003c\/p\u003e\u003cp\u003eFor this new volume of Scarlatti, Hewitt has picked out a further 16 jewels. As Scarlatti scholar Ralph Kirkpatrick puts it: ‘Not one of Scarlatti’s 555 or so keyboard sonatas may be regarded as typical.’ ‘What’s fascinating’, she told International Piano, ‘is that all these guys are writing at the same time, yet so differently: Bach, Handel, Scarlatti, Couperin, Rameau.’ Of course, the special attraction of Scarlatti’s music is as she said, largely tied to ‘the Spanish influence, which was very strong. The stomping of the feet, the strumming of the guitar—it’s a whole different footwork!’\u003c\/p\u003e\u003cp\u003eWith ‘her gifts as a programme builder’ as well as her ‘deep affinity for Scarlatti and exemplary musicianship’ (Gramophone), Hewitt has hand-picked 16 more sonatas. As always, Hewitt offers her own beautifully considered, scholarly booklet notes (additionally in German and French) that emphasise further a lifetime studying and performing these works.\u003c\/p\u003e\u003cp\u003e1. Sonata in D minor, Kk1\u003cbr\u003e2. Sonata in F major, Kk446\u003cbr\u003e3. Sonata in E major, Kk531\u003cbr\u003e4. Sonata in C major, Kk420\u003cbr\u003e5. Sonata in C minor, Kk11\u003cbr\u003e6. Sonata in C major, Kk461\u003cbr\u003e7. Sonata in G major, Kk14\u003cbr\u003e8. Sonata in A major, Kk208\u003cbr\u003e9. Sonata in A major, Kk209\u003cbr\u003e10. Sonata in A major, Kk322\u003cbr\u003e11. Sonata in D major, Kk145\u003cbr\u003e12. Sonata in D minor, Kk417\u003cbr\u003e13. Sonata in C major, Kk460\u003cbr\u003e14. Sonata in F major, Kk518\u003cbr\u003e15. Sonata in F minor, Kk519\u003cbr\u003e16. Sonata in F minor, Kk466\u003c\/p\u003e","brand":"Angela Hewitt","offers":[{"title":"Default Title","offer_id":57428856635772,"sku":"CDA68395","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Scarlatti-_Sonatas_2C_Vol._3__1.png?v=1789046526"},{"product_id":"mozart-string-quintets-k515-516-cd","title":"Mozart: String Quintets K515 \u0026 516 - CD","description":"\u003cp\u003eFrom the ‘finest string quartet in the world’ (The Spectator) comes the Takács Quartet's 21st album on Hyperion: Mozart String Quintets K515 \u0026amp; 516.\u003c\/p\u003e\u003cp\u003eRecorded across concerts at London’s famed Wigmore Hall in 2025, the Quartet is joined by internationally celebrated violist Timothy Ridout, whose participation brings a fresh dimension to the inner voices of these two masterpieces.\u003c\/p\u003e\u003cp\u003eWhile this is Ridout's recording debut with the Takács, appearing for the final time in a 51-year career with the Takács is founder member and outgoing cellist András Fejér.\u003c\/p\u003e\u003cp\u003eWritten by Mozart in 1787, these two well-known quintets occupy a singular place in the chamber repertoire, balancing the lightness of the gallant style with a profound, often searching emotional depth.\u003c\/p\u003e\u003cp\u003eMozart: String Quintet in C major, K515 - 1: Allegro (13’32)\u003cbr\u003eMozart: String Quintet in C major, K515 - 2: Menuetto: Allegretto – Trio (5’42)\u003cbr\u003eMozart: String Quintet in C major, K515 - 3: Andante (8’40)\u003cbr\u003eMozart: String Quintet in C major, K515 - 4: Allegro (7’28)\u003cbr\u003eMozart: String Quintet in G minor, K516 - 1: Allegro (10’53)\u003cbr\u003eMozart: String Quintet in G minor, K516 - 2: Menuetto: Allegretto – Trio (5’06)\u003cbr\u003eMozart: String Quintet in G minor, K516 - 3: Adagio ma non troppo (7’59)\u003cbr\u003eMozart: String Quintet in G minor, K516 - 4: Adagio – Allegro (10’12)\u003c\/p\u003e","brand":"Takács Quartet, Timothy Ridout","offers":[{"title":"Default Title","offer_id":57428896022908,"sku":"CDA68488","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Mozart-_String_Quintets_K515_26_516.png?v=1789047306"}],"url":"https:\/\/store.deccaclassics.com\/collections\/new-releases-pre-orders-homepage.oembed?page=3","provider":"Decca Classics ","version":"1.0","type":"link"}