{"title":"Vinyl","description":"","products":[{"product_id":"voces8-home-2lp","title":"VOCES8 - Home (2LP)","description":"\u003cp\u003eTwo branches of choral royalty entwine with majestic harmony on the latest release from Grammy-winning composer Eric Whitacre and acclaimed vocal ensemble VOCES8. The album includes a world premiere, All Seems Beautiful To Me, and a new recording of Whitacre’s deeply moving 2019 cantata The Sacred Veil. The five-minute work All Seems Beautiful To Me, released on Friday 10th February, is based on a poem by Walt Whitman (from Song of the Open Road) celebrating the human spirit’s capacity for generosity and growth. It was commissioned by the United States Air Force Band and here receives its world premiere recording. Also included is a new recording of one of Whitacre’s most frequently performed and much loved pieces, The Seal Lullaby. The album also includes Sing Gently and Go, Lovely Rose. The former was composed during lockdown specially for Whitacre’s Virtual Choir, made up of over 17,500 singers from 124 different countries. The latter was Whitacre’s first ever composition, written 30 years ago, and thus the new album is also, in part, a joyful celebration of his three decades as a composer. The longest work is the twelve-movement, hour-long 2019 cantata The Sacred Veil for choir, cello (Emma Denton), and piano (Christopher Glynn). The text, by Whitacre’s close friend and long-time collaborator Charles Anthony Silvestri, commemorates the death of the poet’s young wife Julie from ovarian cancer. It journeys from the growth of their love, through the birth of their children, to their struggle with the illness. 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Dear Friends     \u003cbr\u003e\n15    The Sacred Veil XI. You Rise, I Fall     \u003cbr\u003e\n16    The Sacred Veil XII. Child of Wonder\u003c\/p\u003e\n","brand":"VOCES8","offers":[{"title":"Default Title","offer_id":46170500759868,"sku":"4854200","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/SharedImage-149944.jpg?v=1748011832"},{"product_id":"il-tenore-lp-vinyl","title":"Il Tenore: LP Vinyl","description":"\u003cp\u003e“It was a rare thrill to hear a tenor voice of this ease and brilliance. The new Pavarotti? We’ve heard that before. This time it might just be true” – Observer\u003c\/p\u003e\n\n\u003cp\u003e“Singing sensation of the moment.” – BBC Radio 4\u003c\/p\u003e\n\n\u003cp\u003eThe first recording of opera arias from the star tenor, Freddie de Tommaso. Following his chart-topping debut album, Il Tenore celebrates the greatest tenor hits by Puccini and Bizet including 'Nessun dorma', 'E lucevan le stelle' and 'The Flower Song' from Carmen. Veteran Italian conductor Paolo Arrivabeni conducts the Philharmonia Orchestra, with guest appearances from three outstanding singers: sopranos Lise Davidsen and Natalya Romaniw and the sensational mezzo Aigul Akhmetshina as Carmen.\u003c\/p\u003e\n\n\u003cp\u003eTracklisting\u003cbr\u003e\n1. Recondita armonia (Act 1)\u003cbr\u003e\n2-5. Mario, Mario, Mario! (Act 1 - with Lise Davidsen)\u003cbr\u003e\n6. E lucevan le stelle (Act 3)\u003c\/p\u003e\n\n\u003cp\u003eTurandot – Puccini\u003cbr\u003e\n7. Non piangere, Liu! (Act 1)\u003cbr\u003e\n8. Nessun dorma! (Act 3)\u003c\/p\u003e\n\n\u003cp\u003eMadama Butterfly – Puccini\u003cbr\u003e\n9-10. Vogliatemi bene (Act 1 – with Natalya Romaniw)\u003cbr\u003e\n11. Addio, fiorito asil (Act 2)\u003c\/p\u003e\n\n\u003cp\u003eCarmen – Bizet\u003cbr\u003e\n12. 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Included on this new vinyl reissue, mastered at half-speed by Abbey Road, are the Chabrier’ ‘España,’ ‘Suite Pastorale,’ ‘Fête Polonaise,’ ‘Gwendoline’ Overture and ‘Danse Slave.’\u003cbr\u003e\n\u003cbr\u003e\nTracks\u003cbr\u003e\nSide A\u003cbr\u003e\n1    Chabrier: España - Rhapsody for Orchestra     \u003cbr\u003e\n2    Chabrier: Suite pastorale     \u003cbr\u003e\n3    I. Idylle     \u003cbr\u003e\n4    II. Danse villageoise     \u003cbr\u003e\n5    III. Sous-bois     \u003cbr\u003e\n6    IV. 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The first all-new transfer in over twenty-five years. The first-ever stereo production of Wagner’s Ring cycle, still considered the benchmark today. “Here is the greatest achievement in gramophone history yet”, wrote Gramophone in 1965. 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This record was pressed from a master cut using a precision technique known as half-speed mastering. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialized technique transforms difficult to cut high-end frequencies into relatively easy to cut mid-range frequencies. The result is a cut with excellent high frequency response and very sold and stable stereo images. In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record. 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Bold in virtuosity, assured in musicianship”\u003c\/p\u003e\n\n\u003cp\u003eOne of the brightest young stars in classical music, teenage cellist Sheku Kanneh-Mason, teams up with the City of Birmingham Symphony Orchestra (CBSO) and Music Director Mirga Gražinytė-Tyla for his debut album.\u003c\/p\u003e\n\n\u003cp\u003eRecorded in Birmingham and Sheku’s hometown of Nottingham during two CBSO concerts conducted by Gražinytė-Tyla, the album features Shostakovich’s Cello Concerto No.1 – the piece which propelled Sheku to fame as the first black winner of BBC Young Musician in the competition’s 38-year history.\u003c\/p\u003e\n\n\u003cp\u003eSheku has been on a whirlwind adventure since winning BBC Young Musician 2016 – performing Leonard Cohen’s ‘Hallelujah’ at the BAFTAs in front of Their Royal Highnesses The Duke and Duchess of Cambridge, playing at 10 Downing Street as part of the 30th anniversary of Black History Month, and making his BBC Proms debut as a soloist with Chineke! – Europe’s first majority BME (black and minority ethnic) orchestra – with the video of his performance going viral. All this whilst completing his A-Levels, graduating from Trinity School in Nottingham and starting his studies at the Royal Academy of Music in London.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTRACKS:\u003c\/strong\u003e\u003cbr\u003e\n1    YOSEF HADAR - Evening of Roses     \u003cbr\u003e\n2    SAINT-SAËNS - The Swan     \u003cbr\u003e\n3    CASALS - Song of the Birds     \u003cbr\u003e\n4    SHOSTAKOVICH - Nocturne from The Gadfly Suite     \u003cbr\u003e\n5    OFFENBACH - Jacqueline’s Tears     \u003cbr\u003e\n6    CASALS - Sardana     \u003cbr\u003e\n7    BOB MARLEY - No Woman, No Cry     \u003cbr\u003e\n8    LEONARD COHEN – Hallelujah     \u003cbr\u003e\n9    SHOSTAKOVICH - Cello Concerto No.1, Op.107, I. Allegretto     \u003cbr\u003e\n10    SHOSTAKOVICH - Cello Concerto No.1, Op.107, II. Moderato     \u003cbr\u003e\n11    SHOSTAKOVICH - Cello Concerto No.1, Op.107, III. Cadenza – Attacca     \u003cbr\u003e\n12    SHOSTAKOVICH - Cello Concerto No.1, Op.107, IV. 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He and his cello travel effortlessly from simple folk tunes through to classical works including Beethoven, Mendelssohn and Stravinsky, to jazz melodies and an original pop song, written by the cellist himself – all the while demonstrating his innate ability to communicate with his listeners. This eclectic mix of styles, all tied together by the striking sound of Sheku’s cello, reflects his breadth as a musician, demonstrating how he takes inspiration from many genres.\u003c\/p\u003e\u003cp\u003eThe new record follows Sheku’s two previous Classical No.1 solo albums, ‘Inspiration’ (2018) and ‘Elgar’ (2020), with the latter reaching No.8 in the Official UK Album Chart, making him the first cellist in the history of the UK Charts to break into the Top 10.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTRACKS:\u003c\/strong\u003e\u003cbr\u003e1    Traditional: Star of the County Down (Arr. Sheku Kanneh-Mason for Cello)     \u003cbr\u003e2    J. Parry: Myfanwy (Arr. 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Since they were first released, Mercury Living Presence LP records have been collected and coveted and 70 years after the label’s first release — Mussorgsky’s Pictures at an Exhibition, with Rafael Kubelík conducting the Chicago Symphony Orchestra — Mercury continues to be admired for the quality of its artistry and recordings: all celebrated for their sheer vividness of sound. This audiophile series sources the original first-generation master tapes. New HD transfers were made at Abbey Road Studios. Master files, including new 3-to-2 mixes for stereo titles, were produced by Thomas Fine, son of the original producer and recording engineer for the majority of Mercury Living Presence titles.                   Long considered a benchmark performance and recording, the Mercury Living Presence technique perfectly suits the rich, complex musical textures of Saint-Saens' masterwork. Recorded in Ford Auditorium, Detroit, October 12, 1957, with a Schoeps M201 microphone in the center and Neumann KM-56's on the left and right sides.\n","brand":"Marcel Dupré, Detroit Symphony Orchestra, Paul Paray","offers":[{"title":"Default Title","offer_id":46195341001020,"sku":"4852601","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/products\/SharedImage-131817.png?v=1692037816"},{"product_id":"das-rheingold-vinyl-2lp","title":"Das Rheingold: Vinyl 2LP","description":"\u003cp\u003e Commemorating the 25th anniversary of Sir Georg Solti’s passing\n“The Greatest Recording Of All Time” Now sounding better than ever before\u003c\/p\u003e\n\n\u003cp\u003eTransferred and remastered in HD sound at 24bit \/ 192kHz from the original two-track stereo mastertapes. \u003c\/p\u003e\n\n\u003cp\u003eThe first all-new transfer in over twenty-five years.\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003eThe first-ever stereo production of Wagner’s Ring cycle, still considered the benchmark today.\u003c\/p\u003e\n\n\u003cp\u003e“Here is the greatest achievement in gramophone history yet”, wrote Gramophone in 1965. 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This record was pressed from a master cut using a precision technique known as half-speed mastering. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialized technique transforms difficult to cut high-end frequencies into relatively easy to cut mid-range frequencies. The result is a cut with excellent high frequency response and very sold and stable stereo images. In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record. 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Lise’s forthcoming album presents a delightful and personally-selected collection of traditional Norwegian Christmas music and classic festive favourites, spreading the warm glow of the Scandinavian Christmas spirit. For this album, the soprano draws inspiration from the classic albums of iconic predecessors on Decca Classics, such as Kirsten Flagstad and Birgit Nilsson. The album features beautiful arrangements drawn from the label's archive, originally made for such legendary singers as Luciano Pavarotti, Leontyne Price, and Renée Fleming.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1. O Helge natt (O Holy Night in Swedish, Adolphe Adam)\u003cbr\u003e\n2. Weihnachten (Engelbert Humperdinck)\u003cbr\u003e\n3. Silent Night (Franz Xavier Gruber)\u003cbr\u003e\n4. Jul, jul, strålande jul (Gustaf Nordqvist)\u003cbr\u003e\n5. Deilig er Jorden\u003cbr\u003e\n6. Mitt Herte Alltid Vanker\u003cbr\u003e\n7. Julvisa\u003cbr\u003e\n8. 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Lise’s forthcoming album presents a delightful and personally-selected collection of traditional Norwegian Christmas music and classic festive favourites, spreading the warm glow of the Scandinavian Christmas spirit. For this album, the soprano draws inspiration from the classic albums of iconic predecessors on Decca Classics, such as Kirsten Flagstad and Birgit Nilsson. The album features beautiful arrangements drawn from the label's archive, originally made for such legendary singers as Luciano Pavarotti, Leontyne Price, and Renée Fleming.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1. O Helge natt (O Holy Night in Swedish, Adolphe Adam)\u003cbr\u003e\n2. Weihnachten (Engelbert Humperdinck)\u003cbr\u003e\n3. Silent Night (Franz Xavier Gruber)\u003cbr\u003e\n4. Jul, jul, strålande jul (Gustaf Nordqvist)\u003cbr\u003e\n5. Deilig er Jorden\u003cbr\u003e\n6. Mitt Herte Alltid Vanker\u003cbr\u003e\n7. Julvisa\u003cbr\u003e\n8. 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An accomplished pianist, improvisations over his own published choral pieces have become a trademark of his collaborations. \u003cbr\u003e\n \u003cbr\u003e\nAlthough Norwegian by birth, it is perhaps Ola’s adopted country of America that has influenced the composer’s distinctive soundworld the most, evolving a style that is often described as cinematic and evocative, with a lush, harmonious sound.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003cbr\u003e\nSide A\u003c\/strong\u003e\u003cbr\u003e\n1. The Rose\u003cbr\u003e\n2. Ecce Novum\u003cbr\u003e\n3. The First Nowell\u003cbr\u003e\n4. Days Of Beauty\u003cbr\u003e\n5. Home\u003cbr\u003e\n6. Across The Vast, Eternal Sky\u003cbr\u003e\n7. Ave Generosa\u003cbr\u003e\n8. First Snow\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e\n1. The Holly \u0026amp; The Ivy\u003cbr\u003e\n2. Away In A Manger\u003cbr\u003e\n3. Dawn\u003cbr\u003e\n4. The Coventry Carol\u003cbr\u003e\n5. 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In his deeply moving score, Britten set the entire text of the Latin Requiem Mass and interpolated nine of Wilfred Owen’s harrowing poems from the trenches. Britten organised the performers into three distinct but overlapping groups: full orchestra, chorus and soprano soloist for the Latin texts; a chamber ensemble with tenor and baritone soloists for Owen’s verses; and a distant boys’ choir; His choices for the three soloists were laden with deep meaning: the British tenor Peter Pears; the German baritone Dietrich Fischer-Dieskau; and the Russian soprano Galina Vishnevskaya (who was ultimately barred by the Soviet regime from traveling to England for the premiere, and was replaced at less than two weeks’ notice by Heather Harper) to represent reconciliation between the three front-line casualties of 20th-century European conflict. Notwithstanding a few bumps, the impact of the performance spread immediately and critical reaction created momentum for a commercial recording.\u003cbr\u003e\n\u003cbr\u003e\nRecorded between January 3 and 10, 1963, in London’s Kingsway Hall by Decca’s ‘dream team’ of producer John Culshaw and engineer Kenneth Wilkinson, Britten’s ideals were achieved when the provincial forces in Coventry were replaced by the London Symphony Orchestra and Chorus, the Bach Choir (trained by David Willcocks), and the boys of Highgate School.  The Melos Ensemble returned, and one year after the premiere, the triumvirate of soloists, Britten had written The War Requiem for were united, with Britten conducting the performance.\u003cbr\u003e\n\u003cbr\u003e\nUnbeknownst to the composer, the soloists and the orchestra, Culshaw kept the microphones open and the tapes running in both the hall and the control room during rehearsals. On the occasion of Britten’s fiftieth birthday, he was given a presentation LP of rehearsal excerpts with its own label and catalogue number, BB50.  Undoubtedly offered with the best of intentions, the gift was received with less than the positive response intended, owing to Britten’s deep sense of privacy and his particular sensitivities around this work especially. It wasn’t until fifty years later, it was deemed reason to put on one side Britten’s prohibition and to assess the tape as a contribution to our knowledge of him as a performer and interpreter of his own music and to our understanding of the \u003cem\u003eWar Requiem\u003c\/em\u003e itself. On the one hand, it affords a glimpse into how Britten worked (as composer\/conductor), and on the other, perhaps of more import, is how fundamental to the original concept and interpretation of the work was the intent to disturb, discomfort, confront and shock its audiences out of a passive acceptance of the annihilation of war. 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They have a joint reach of over 1 million and are all touring regularly internationally. The first recording of the work on Decca Classics, Nicky, Sheku and Benjamin toured the concerto around the UK in 2023, after which they recorded it with the Philharmonia and their Principal Conductor Santtu-Matias Rouvali. The works are accompanied by a selection of Beethoven’s rarely performed Folk Songs, along with celebrated baritone Gerald Finley. Reflecting the Scottish, Welsh, Irish and English roots of the musicians, the album concludes with the trio alone: Kreisler’s arrangement of ‘Londonderry Air’, often known as ‘Danny Boy’.\u003c\/p\u003e\u003cp\u003eTracklist:\u003cbr\u003e1. Beethoven: Triple Concerto in C Major, Op. 56: I. Allegro\u003cbr\u003e2. Beethoven: Triple Concerto in C Major, Op. 56: II. Largo\u003cbr\u003e3. Beethoven: Triple Concerto in C Major, Op. 56: III. Rondo alla polacca\u003cbr\u003e4. Beethoven: 25 Scottish Songs, Op. 108: No. 2, Sunset\u003cbr\u003e5. 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Lim says “a huge universe of pianists played this repertoire, and I have always wanted to become a fundamental musician like them, so I decided to follow their route.” He has grown up listening to great pianists recording this music, including some of his favourites - Alfred Cortot, Ignaz Friedman, Joseph Lhevinne, Mark Hambourg and Sergio Fiorentino, among others.\u003c\/p\u003e\u003cp\u003e“He has the potential to become a once-in-generation pianist, one who combines astounding virtuosity with interpretive depth.” – The New Yorker\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eChopin: 12 Études, Op. 10: No. 1 in C Major \"Waterfall\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 2 in A Minor \"Chromatique\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 3 in E Major \"Tristesse\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 4 in C-Sharp Minor \"Torrent\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 5 in G-Flat Major \"Black Keys\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 6 in E-Flat Minor \"Lament\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 7 in C Major \"Toccata\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 8 in F Major \"Sunshine\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 9 in F Minor\u003cbr\u003eChopin: 12 Études, Op. 10: No. 10 in A-Flat Major\u003cbr\u003eChopin: 12 Études, Op. 10: No. 11 in E-Flat Major \"Arpeggio\"\u003cbr\u003eChopin: 12 Études, Op. 10: No. 12 in C Minor \"Revolutionary\"\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSide B\u003c\/strong\u003e\u003cbr\u003eChopin: 12 Études, Op. 25: No. 1 in A-Flat Major \"Aeolian Harp\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 2 in F Minor \"The Bees\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 3 in F Major \"The Horseman\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 4 in A Minor \"Paganini\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 5 in E Minor \"Wrong Note\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 6 in G-Sharp Minor \"Thirds\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 7 in C-Sharp Minor \"Cello\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 8 in D-Flat Major \"Sixths\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 9 in G-Flat Major \"Butterfly Wings\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 10 in B Minor \"Octave\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 11 in A Minor \"Winter Wind\"\u003cbr\u003eChopin: 12 Études, Op. 25: No. 12 in C Minor \"Ocean\"\u003c\/p\u003e","brand":"Yunchan Lim","offers":[{"title":"Default Title","offer_id":49365685862716,"sku":"4870123","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/large-Screenshot_2024-04-29_at_18.53.28.png?v=1762907178"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/collections\/SharedImage-136662.webp?v=1691511934","url":"https:\/\/store.deccaclassics.com\/collections\/lp.oembed?page=8","provider":"Decca Classics ","version":"1.0","type":"link"}