{"title":"Hyperion","description":"","products":[{"product_id":"the-bach-recordings-2026-edition-27cd-boxset","title":"The Bach Recordings - 2026 Edition: 27CD Boxset","description":"\u003cp\u003eFor the first time ever, Angela Hewitt’s complete recordings of the Bach keyboard works on Hyperion are presented in one collection of 27 CDs. This covers nearly 25 years of Angela’s Bach recordings on Hyperion, from 1994 to 2018. \u003cbr\u003eAngela’s Bach Odyssey started in 1994 when Ted Perry, founder and then-director of Hyperion, first heard her in a recording of the Bach Inventions. Angela recounts what happened next: ‘I’ll take it!’ said Ted Perry over the telephone. ‘But you haven’t heard it yet!’ I exclaimed. ‘I don’t need to—I know it will be good’, was his reply. ‘But only if you agree to record the complete Bach.’ \u003cbr\u003eThe booklet offers comprehensive indexing by BWV number for supreme ease of search.\u003c\/p\u003e\u003cp\u003eFeatured are both of Hewitt’s recordings of the Goldberg Variations (1999 \u0026amp; 2015), The well-tempered Clavier(1997\/8 \u0026amp; 2008) and the six Partitas (1996\/7 \u0026amp; 2018)\u003c\/p\u003e\u003cp\u003eAlso included are Bach arrangements unique to UMG, and the complete Bach Keyboard Concertos with the Australian Chamber Orchestra and Richard Tognetti. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1\u003cbr\u003eInventions \u0026amp; Sinfonias BWV772-801\u003cbr\u003eFantasia in C minor BWV906\u003cbr\u003eChromatic Fantasia and Fugue BWV903\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e2-3\u003cbr\u003eThe French Suites BWV812-817\u003cbr\u003eSonata in D minor BWV964\u003cbr\u003eLittle Preludes BWV924-928, 930, 933-943, 999\u003cbr\u003ePrelude and Fugue in A minor BWV894\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e4-5\u003cbr\u003eThe Six Partitas BWV825-830 (1996\/7 recording)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e6-9\u003cbr\u003eThe Well-Tempered Clavier BWV846-893 (1997\/8 recording)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e10\u003cbr\u003eGoldberg Variations BWV988 (1999 recording)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e11\u003cbr\u003eItalian Concerto BWV971\u003cbr\u003eFrench Overture BWV831\u003cbr\u003eTwo Capriccios BWV992-993\u003cbr\u003eFour Duets BWV802-805\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12\u003cbr\u003eBach Arrangements - by Wilhelm Kempff, Mary Howe, Dame Myra Hess,\u003cbr\u003eAngela Hewitt, Herbert Howells, etc\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e13\u003cbr\u003eThe Toccatas BWV910-916\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e14-15\u003cbr\u003eThe English Suites BWV806-811\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e16\u003cbr\u003eFantasia and Fugue in A minor BWV904, 944\u003cbr\u003eAria Variata BWV989\u003cbr\u003eSonata in D major BWV963\u003cbr\u003ePartie in A major BWV832\u003cbr\u003eSuite in F minor BWV823\u003cbr\u003e17-18\u003cbr\u003eKeyboard Concertos BWV1052–1058\u003cbr\u003eBrandenburg Concerto No 5 BWV1050\u003cbr\u003eTriple Concerto BWV1044 - with Australian Chamber Orchestra \/ Richard Tognetti\u003cbr\u003e19-22\u003cbr\u003eThe Well-Tempered Clavier BWV846-893 (2008 recording)\u003cbr\u003e23-24\u003cbr\u003eThe Art of Fugue BWV1080\u003cbr\u003e25\u003cbr\u003eGoldberg Variations BWV988 (2015 recording)\u003cbr\u003e26-27\u003cbr\u003eThe Six Partitas BWV825-830 (2018 recording)\u003c\/p\u003e","brand":"Angela Hewitt","offers":[{"title":"Default Title","offer_id":56033557119356,"sku":"CDS4462147","price":65.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Bach_Recordings.png?v=1780577715"},{"product_id":"bach-the-cello-suites-vinyl-3lp","title":"Bach: The Cello Suites Vinyl 3LP","description":"\u003cp\u003eSteven Isserlis’s award-winning discography spans his diverse interests in repertoire and his musicological enthusiasm, as well as demonstrating his supreme artistry and uniquely beautiful sound, and his first recording of the complete Bach cello suites is an indelibly important addition to the set.\u003c\/p\u003e\u003cp\u003eSteven writes that ‘the Bach suites are works of such total perfection, such sublimity, that it is well-nigh impossible to feel ready for them’. He has proved more than adequate to the task and this release is a triumphant conclusion to an artistic pilgrimage.\u003c\/p\u003e\u003cp\u003eSteven’s eloquent booklet notes reveal his personal thoughts about the suites, as well as extensive academic research. His is an interpretation that has come from his passionate involvement in the music rather than from following the various theories that abound in Bach scholarship, and he discusses it fully in an article which is a perfect complement to this wonderful release.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Steven Isserlis","offers":[{"title":"Default Title","offer_id":56087001792892,"sku":"LPA67541","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/LPA67541.png?v=1780577657"},{"product_id":"kapustin-piano-music-vinyl-lp","title":"Kapustin: Piano Music Vinyl LP","description":"\u003cp\u003eHere is a disc to set the pulse racing. Nikolai Kapustin is a Russian composer who wrote jazz piano music teeming with energetic spontaneity and bristling with the kind of creative immediacy one associates with improvisation (although the music is fully and meticulously written out). Kapustin is already known to the Hyperion catalogue through Steven Osborne’s trail-blazing recording of the first two Piano Sonatas and the Preludes in Jazz Style, and Marc-André Hamelin is another pianist who has for years played his music in concert. Hamelin’s legendary technical prowess and his exceptional affinity with jazz fuse to create one of the most sparkling, infectiously foot-tapping piano discs you could wish to hear.\u003c\/p\u003e\u003cp\u003eIn terms of their stylistic breadth, formidable technical challenges and audacious invention, the Eight Concert Études (1984) hold their own against the celebrated benchmarks in the genre, from Liszt and Lyapunov to Godowsky’s re-worked Chopin. The Five Études in Different Intervals (1992) begins with a madcap study in minor seconds recalling the bouncy demeanor of Zez Confrey’s Kitten on the Keys (although here someone has dosed poor kitty with Grade A Catnip!), and ends with an octave study to end all octave studies. Throughout, Kapustin’s bottomless well of thematic resoursefulness works overtime. A disc to dazzle your friends with—and play “guess the composer!“ This 180g LP is part of Hyperion’s 2026 Vinyl Edition.\u003c\/p\u003e\u003cp\u003eSIDE A  \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eKapustin: Variations, Op. 41  Kapustin: 8 Concert Etudes, Op. 40: I. Prelude. Allegro assai  Kapustin: 8 Concert Etudes, Op. 40: II. Dream. Moderato  Kapustin: 8 Concert Etudes, Op. 40: III. Toccatina. Allegro  Kapustin: 8 Concert Etudes, Op. 40: IV. Reminiscence. Larghetto  Kapustin: 8 Concert Etudes, Op. 40: V. Shuitka. Vivace  Kapustin: 8 Concert Etudes, Op. 40: VI. Pastoral. Allegro moderato  Kapustin: 8 Concert Etudes, Op. 40: VII. Intermezzo. Allegretto  Kapustin: 8 Concert Etudes, Op. 40: VIII. Final. Prestissimo  \u003c\/p\u003e\u003cp\u003eSIDE B  \u003c\/p\u003e\u003cp\u003eKapustin: Suite in the Old Style, Op. 28: I. Allemande  Kapustin: Suite in the Old Style, Op. 28: II. Gavotte I – Gavotte II  Kapustin: Suite in the Old Style, Op. 28: III. Sarabande  Kapustin: Suite in the Old Style, Op. 28: IV. Bourrée I – Bourrée II  Kapustin: Suite in the Old Style, Op. 28: V. Gigue  Kapustin: 5 Etudes in Different Intervals, Op. 68: I. Allegro. Etude in Minor Seconds  Kapustin: 5 Etudes in Different Intervals, Op. 68: II. Allegro. Etude in Fourths and Fifths  Kapustin: 5 Etudes in Different Intervals, Op. 68: III. Animato. Etude in Thirds and Sixths  Kapustin: 5 Etudes in Different Intervals, Op. 68: IV. Vivace. Etude in Major Seconds  Kapustin: 5 Etudes in Different Intervals, Op. 68: V. Animato. Etude in Octaves\u003c\/p\u003e","brand":"Marc-André Hamelin","offers":[{"title":"Default Title","offer_id":56087002251644,"sku":"LPA67433","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/LPA67433.png?v=1780577647"},{"product_id":"bach-bach-arrangements-vinyl-lp","title":"Bach: Bach Arrangements Vinyl LP","description":"\u003cp\u003eThis delightful disc offers a selection from the wealth of piano transcriptions of Bach’s music. The Bach revival that gathered momentum during the nineteenth century created a climate for many composer-pianists to interpret his works through their own piano transcriptions, whether of chorale preludes, organ works or other instrumental music. Much of Bach’s music was made domestically available via such arrangements (and the tradition continued well into the twentieth century, even after Bach originals were well known). Indeed, the practice of such transcriptions was widely used by Bach himself, who freely adapted his own and others’ music for different instrumental settings.\u003c\/p\u003e\u003cp\u003eOne of today’s finest Bach pianists, Angela Hewitt concentrates primarily on those arrangements of Bach that keep pianistic elaboration and virtuosity in proportion: whatever instrument his music is played on, Bach should still sound like Bach. Eugen d’Albert’s magnificent transcription of the C minor Passacaglia and Fugue for organ, BWV582, is included, as are four beautiful transcriptions by Wilhelm Kempff, and a number of arrangements by English composers that were included in A Bach Book for Harriet Cohen (a collection compiled for the pianist Harriet Cohen, who knew many English composers of the early twentieth century). Angela Hewitt also includes a transcription of her own. A fascinating companion to Angela Hewitt’s acclaimed Bach recordings for Hyperion, this ravishing disc will appeal to lovers of Bach as much as connoisseurs of the piano.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 180g LP is part of Hyperion’s 2026 Vinyl Edition.\u003c\/p\u003e\u003cp\u003eSIDE A\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eJ.S. Bach: Wir danken dir, Gott, wir danken dir, BWV 29: I. Sinfonia (Arr. Kempff for Piano)\u003cbr\u003eJ.S. Bach: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. Kempff for Piano)\u003cbr\u003eJ.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Arr. Kempff for Piano)\u003cbr\u003eJ.S. Bach: Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. Kempff for Piano)\u003cbr\u003eJ.S. Bach: Was mir behagt, ist nur die muntre Jagd, BWV 208 \"Hunting Cantata\" : X. Sheep May Safely Graze (Arr. Howe for Piano)\u003cbr\u003eJ.S. Bach: Wenn wir in höchsten Nöten sein, BWV 641 (Arr. Hewitt for Piano)\u003cbr\u003eJ.S. 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This 180g LP is part of Hyperion’s 2026 Vinyl Edition.\u003c\/p\u003e","brand":"The Gesualdo Six, Owain Park","offers":[{"title":"Default Title","offer_id":56087051370876,"sku":"LPA68285","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/LPA68285.png?v=1780577646"},{"product_id":"shostakovich-violin-concertos-1-2-vinyl-2lp","title":"Shostakovich: Violin Concertos 1 \u0026 2 Vinyl 2LP","description":"\u003cp\u003eThe prospect of hearing Alina Ibragimova in two of the most important concertos written for the violin is in itself irresistibly enticing, but Shostakovich aficionados will also welcome an opportunity to hear the rarely performed original opening to the Burlesque of No 1, subsequently made less fearsome for the soloist at the request of the work’s dedicatee, David Oistrakh. These 180g LPs are part of Hyperion’s 2026 Vinyl Edition.\u003c\/p\u003e\u003cp\u003eTracklist:\u003cbr\u003eViolin Concerto No 1 in A minor Op 77\u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003e1: Nocturne: Moderato\u003cbr\u003e2: Scherzo: Allegro\u003c\/p\u003e\u003cp\u003eSide B\u003cbr\u003e1: Passacaglia: Andante – Cadenza\u003cbr\u003e2: Burlesque: Allegro con brio – Presto\u003c\/p\u003e\u003cp\u003eViolin Concerto No 2 in C sharp minor Op 129\u003c\/p\u003e\u003cp\u003eSide C\u003cbr\u003e1: Moderato\u003c\/p\u003e\u003cp\u003eSide D\u003cbr\u003e1: Adagio\u003cbr\u003e2: Adagio – Allegro\u003c\/p\u003e","brand":"State Academic Symphony Orchestra \"Evgeny Svetlanov\", Alina Ibragimova, Vladimir Jurowski","offers":[{"title":"Default Title","offer_id":56087060644220,"sku":"LPA68313","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/LPA68313_bcc8f035-7575-48f2-89a2-82e27a11b789.png?v=1780577585"},{"product_id":"stephen-hough-s-piano-postcards-cd","title":"Stephen Hough’s Piano Postcards: CD","description":"\u003cp\u003eSir Stephen Hough’s new solo piano album ‘Stephen Hough’s Piano Postcards’ explores the world from the perspective of the itinerant pianist sending home musical messages from his voyages. Stephen picks beloved songs and tunes from around the world—from Japan, Taiwan, Mexico, Spain and beyond—then wittily re-imagines them for the piano. These deft new arrangements form a homage to the countries he has come to love over a lifetime of travelling and performing, musical morsels sent home to us his listeners for aural delectation.\u003c\/p\u003e\u003cp\u003eMary Poppins Suite (Arr. Hough for Piano): I. Chim chim cher-ee\u003cbr\u003eMary Poppins Suite (Arr. Hough for Piano): II. Feed the Birds\u003cbr\u003eMary Poppins Suite (Arr. Hough for Piano): III. Supercalifragilisticexpialidocious\u003cbr\u003eChasins: Preludes, Book 3, Op. 12: No. 2 in E-Flat Minor. Prelude No. 14\u003cbr\u003eKreisler: Liebesleid (Arr. Rachmaninoff for Piano)\u003cbr\u003eRimsky-Korsakov: The Tale of Tsar Saltan: Flight of the Bumblebee (Arr. Rachmaninoff for Piano)\u003cbr\u003eYu-Hsien: Spring Breeze Prelude (Arr. Hough for Piano)\u003cbr\u003eYamada: Aka tombo (Arr. Hough for Piano)\u003cbr\u003eDo You Want to Build a Snowman? (Arr. Hough for Piano)\u003cbr\u003eReflection (Arr. Hough for Piano)\u003cbr\u003eRemember Me (Arr. 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These deft new arrangements form a homage to the countries he has come to love over a lifetime of travelling and performing, musical morsels sent home to us his listeners for aural delectation.\u003c\/p\u003e\u003cp\u003eMary Poppins Suite (Arr. Hough for Piano): I. Chim chim cher-ee\u003cbr\u003eMary Poppins Suite (Arr. Hough for Piano): II. Feed the Birds\u003cbr\u003eMary Poppins Suite (Arr. Hough for Piano): III. Supercalifragilisticexpialidocious\u003cbr\u003eChasins: Preludes, Book 3, Op. 12: No. 2 in E-Flat Minor. Prelude No. 14\u003cbr\u003eKreisler: Liebesleid (Arr. Rachmaninoff for Piano)\u003cbr\u003eRimsky-Korsakov: The Tale of Tsar Saltan: Flight of the Bumblebee (Arr. Rachmaninoff for Piano)\u003cbr\u003eYu-Hsien: Spring Breeze Prelude (Arr. Hough for Piano)\u003cbr\u003eYamada: Aka tombo (Arr. Hough for Piano)\u003cbr\u003eDo You Want to Build a Snowman? (Arr. Hough for Piano)\u003cbr\u003eReflection (Arr. Hough for Piano)\u003cbr\u003eRemember Me (Arr. 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These acclaimed performances from The London Haydn Quartet combine historically informed performance practice with performing editions published during Haydn’s own lifetime. The release celebrates the 25th anniversary of the formation of The London Haydn Quartet.\u003cbr\u003e \u003cbr\u003e‘No one who loves this glorious music could have hoped for a better finish … the more I returned to these performances, the more I found myself warming to their fantasy, their disciplined spontaneity and their cumulative insights’ (Gramophone)\u003cbr\u003e \u003cbr\u003eInside, the 10x double-CD sets are presented in strikingly handsome double wallets throughout, each featuring opulent paintings by Samuel Scott on front and back. Each wallet offers a track listing, with many presenting facsimiles of the original scores and frontispieces.\u003cbr\u003e \u003cbr\u003eThe 52-page booklet brings together all the individual album booklet essays by Richard Wigmore, from the first release (2007) to the last (2023).\u003cbr\u003e \u003cbr\u003eHaydn is revered as the father of the string quartet. In number, scope and imagination, Haydn’s quartets define the genre. Even Mozart dedicated six of his own string quartets to Papa Haydn. 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The results—as only to be expected from this team—are wonderfully good.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eBach: Mass in B minor, BWV232 - Part 1 No 01. Chorus: Kyrie eleison \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 02. Duet: Christe eleison \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 03. Chorus: Kyrie eleison \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 04. Chorus: Gloria in excelsis Deo \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 05. Chorus: Et in terra pax hominibus \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 06. Aria: Laudamus te \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 07. Chorus: Gratias agimus tibi \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 08. Duet: Domine Deus \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 09. Chorus: Qui tollis peccata mundi \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 10. Aria: Qui sedes ad dexteram Patris \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 11. Aria: Quoniam tu solus sanctus \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 1 No 12. Chorus: Cum Sancto Spiritu \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 1. Chorus: Credo in unum Deum \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 2. Chorus: Patrem omnipotentem \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 3. Duet: Et in unum Dominum \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 4. Chorus: Et incarnatus est \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 5. Chorus: Crucifixus etiam pro nobis \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 6. Chorus: Et resurrexit tertia die \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 7. Aria: Et in Spiritum Sanctum \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 8. Chorus: Confiteor unum baptisma \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 2 No 9. Chorus: Et exspecto resurrectionem \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 3. Chorus: Sanctus \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 4 No 1. Chorus: Osanna in excelsis \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 4 No 2. Aria: Benedictus \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 4 No 3. Chorus: Osanna in excelsis \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 4 No 4. Aria: Agnus Dei \u003cbr\u003eBach: Mass in B minor, BWV232 - Part 4 No 5. Chorus: Dona nobis pacem\u003c\/p\u003e","brand":"Orchestra of the Age of Enlightenment, Stephen Layton, The Choir of Trinity College Cambridge","offers":[{"title":"Default Title","offer_id":56486296355196,"sku":"LPA68181","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/034571995656.jpg?v=1780577531"},{"product_id":"rachmaninoff-piano-concertos-1-4-paganini-rhapsody-vinyl-edition","title":"Rachmaninoff: Piano Concertos 1-4; Paganini Rhapsody (Vinyl Edition)","description":"\u003cp\u003eStephen Hough’s four Rachmaninov Piano Concertos have long been viewed as reference recordings of this iconic repertoire, the standard by which others must be judged. 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The coupling of Tchaikovsky’s monumental Piano Trio in A minor (1882) with Schoenberg’s ‘Verklärte Nacht’ (1899, in its original scoring for string sextet) reveals a line of musical continuity from the great Russian Romantic to the pioneering Viennese modernist. ‘Verklärte Nacht’ has itself been transfigured here in a new, never-before-recorded arrangement for piano trio by Henk Guittart, one of the world’s leading Schoenberg specialists. 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Many of the composer’s earliest and final works appear to have been written with the all-female forces of the Pietà in mind. Other works dating from a ‘middle’ period (which stretches from the mid-1720s to the early 1730s) are especially flamboyant and include the celebrated Dixit Dominus, RV594.\u003c\/p\u003e\u003cp\u003eThis set re-issues an authoritative (but long deleted) 11CD set. The recordings date between 1994 and 2002. An essay by Michael Talbot is offered in English, French and German, while sung texts are presented in their original Latin and in English.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eMagnificat, RV610a · Dixit Dominus, RV594 · Lauda, Jerusalem, RV609 · Kyrie, RV587 · Credo, RV591 \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Susan Gritton, Lisa Milne, Catherine Denley, Lynton Atkinson \u0026amp; David Wilson-Johnson\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eIn furore iustissimae irae, RV626 · Longe mala, umbrae, terrores, RV629 · Clarae stellae, scintillate, RV625 · Canta in prato, ride in monte, RV623 · Filiae maestae Jerusalem, RV638 · Nulla in mundo pax sincera, RV630\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Deborah York, Catherine Denley \u0026amp; James Bowman\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD3\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eDixit Dominus, RV595 · Domine ad adiuvandum, RV593 · Credidi propter quod, RV605 · Beatus vir, RV598\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Catrin Wyn-Davies, Catherine Denley, Charles Daniels, Neal Davies \u0026amp; Michael George\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD4 \u0026amp; CD5\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eJuditha Triumphans devicta Holofernes barbarie, RV644 \u003cbr\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly \u0026amp; Jean Rigby\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD6\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eIn turbato mare irato, RV627 · Non in pratis aut in hortis, RV641 · Stabat mater, RV621 · O qui caeli terraeque serenitas, RV631 · Deus tuorum militum, RV612 · Confitebor tibi, Domine, RV596\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Jean Rigby, Robin Blaze, Charles Daniels \u0026amp; Neal Davies\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD7\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eBeatus vir, RV795 · Salve regina, RV617 · Laudate Dominum, RV606 · In exitu Israel, RV604 · Nisi Dominus, RV608\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Nathalie Stutzmann, Hilary Summers \u0026amp; Alexandra Gibson\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD8\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eLaetatus sum, RV607 · Laudate pueri, RV601 · Vestro Principi divino, RV633 · Jubilate, o amoeni chori, RV639 · Gloria in excelsis Deo, RV588\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Susan Gritton, Carolyn Sampson, Nathalie Stutzmann \u0026amp; Charles Daniels\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD9\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSum in medio tempestatum, RV632 · Laudate pueri, RV600 · Cur sagittas, cur tela, RV637 · Sanctorum meritis, RV620 · Salve regina, RV616\u003cbr\u003eF\u003c\/span\u003e\u003cspan class=\"s1\"\u003eeaturing Susan Gritton, Tuva Semmingsen \u0026amp; Nathalie Stutzmann\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD10\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eLaudate pueri, RV602 · Salve regina, RV618 · Ascende laeta, RV635 · Gaude mater Ecclesia, RV613 · Vos aurae per montes, RV634 · Gloria Patri, RV602a\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Carolyn Sampson, Susan Gritton, Joanne Lunn, Joyce DiDonato \u0026amp; Nathalie Stutzmann\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eCD11\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eGloria, RV589 · Nisi Dominus, RV803 · Ostro picta, RV642 \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eRuggieri: Gloria, RV Anh.23\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFeaturing Carolyn Sampson, Joanne Lunn, Tuva Semmingsen, Joyce DiDonato, Robin Blaze, Hilary Summers, Julie Cooper, Simon Jones, Daniel Auchincloss, Cecilia Osmond \u0026amp; Robin Tyso\u003c\/span\u003e\u003c\/p\u003e","brand":"The King's Consort, Robert King","offers":[{"title":"Default Title","offer_id":56747550114172,"sku":"CDS4467181","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/CDS44671_exploded_transparent_cf6ec9bb-670a-4705-97a4-33ed5ac6a975.png?v=1780577664"},{"product_id":"elgar-dvorak-cello-concertos-cd","title":"Elgar \u0026 Dvořák: Cello Concertos: CD","description":"\u003cp\u003eAlban Gerhardt’s first studio recording of the two most famous concertos in the entire cello repertoire represents the fruit of 35 years of kinship with these masterpieces.\u003cbr\u003eBolstered by the forces of the WDR Sinfonieorchester under Andrew Manze, Gerhardt offers interpretations which challenge inherited conventions and, in Gerhardt’s words, make a ‘return to the sources: the scores themselves’, prompting the question: should we consider anew what is the ‘correct’ approach of playing these works?\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHis adherence to the text often leads to tempos and proportions that differ noticeably from the norm, which Gerhardt says feel both more alive and closer to the detailed musical instructions left by each composer. In this context, Gerhardt quotes Gustav Mahler: ‘Tradition must not be the adoration of ashes but the preservation of fire.’\u003c\/p\u003e\u003cp\u003eTracklist:   \u003cbr\u003eElgar: Cello Concerto in E minor, Op 85 - 1: Adagio – Moderato\u003cbr\u003eElgar: Cello Concerto in E minor, Op 85 - 2: Lento – Allegro molto\u003cbr\u003eElgar: Cello Concerto in E minor, Op 85 - 3: Adagio\u003cbr\u003eElgar: Cello Concerto in E minor, Op 85 - 4: Allegro\u003cbr\u003eDvořák: Cello Concerto in B minor, Op 104 - 1: Allegro\u003cbr\u003eDvořák: Cello Concerto in B minor, Op 104 - 2: Adagio ma non troppo\u003cbr\u003eDvořák: Cello Concerto in B minor, Op 104 - 3: Allegro moderato\u003c\/p\u003e","brand":"Alban Gerhardt, WDR Sinfonieorchester Köln, Andrew Manze","offers":[{"title":"Default Title","offer_id":56781996294524,"sku":"CDA68486","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/Elgar_26_Dvor_CC_8Ca_CC_81k-_Cello_Concertos.png?v=1780577466"},{"product_id":"mussorgsky-pictures-from-an-exhibition-prokofiev-visions-fugitives-vinyl-edition","title":"Mussorgsky: Pictures from an Exhibition; Prokofiev: Visions Fugitives (Vinyl Edition)","description":"\u003cp\u003e‘This may well be the most lucid and musicianly “Pictures” on record. Hyperion’s sound and presentation are beyond praise.’ Thus declared Gramophone upon the original 2013 release of Steven Osborne’s recording of Musorgsky’s Pictures from an exhibition and Prokofiev’s Visions fugitives; the album went on to win that year’s Gramophone Instrumental Award. In the words of a critic writing in The Times: ‘Visit this exhibition with Steven Osborne; you’ll enjoy it much more.’\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 01: Lentamente\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 02: Andante\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 03: Allegretto\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 04: Animato\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 05: Molto giocoso\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 06: Con eleganza\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 07: Pittoresco\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 08: Comodo\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 09: Allegretto tranquillo\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 10: Ridicolosamente\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 11: Con vivacità\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 12: Assai moderato\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 13: Allegretto\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 14: Feroce\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 15: Inquieto\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 16: Dolente\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 17: Poetico\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 18: Con una dolce lentezza\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 19: Presto agitatissimo e molto accentuato\u003c\/li\u003e\n\u003cli\u003eProkofiev: Visions fugitives, Op 22 - 20: Lento\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 01: Promenade 1\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 02: Gnomus\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 03: Promenade 2\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 04: The Old Castle (Il vecchio castello)\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 05: Promenade 3\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 06: Tuileries. Children quarrelling after play\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 07: Bydło (A Polish Ox-cart)\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 08: Promenade 4\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 09: Ballet of the unhatched chicks\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 10: Two Polish Jews, one rich, the other poor (Samuel Goldenberg and Schmuyle)\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 11: Promenade 5\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 12: Limoges, the market place\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 13: Catacombae. Sepulchrum Romanum\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 14: Con mortuis in lingua mortua\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 15: Baba Yaga (The hut on fowl's legs)\u003c\/li\u003e\n\u003cli\u003eMusorgsky: Pictures from an exhibition - 16: The Great Gate of Kiev\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Steven Osborne, Royal Philharmonic Orchestra, John Rutter","offers":[{"title":"Default Title","offer_id":57156407263612,"sku":"LPA67896","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/LPA67896.png?v=1783615985"},{"product_id":"pergolesi-stabat-mater-salve-regina-in-a-minor-vinyl-edition","title":"Pergolesi: Stabat Mater; Salve Regina in A Minor (Vinyl Edition)","description":"\u003cp\u003eJoin Gillian Fisher and Michael Chance as they get straight to the soul of Pergolesi’s glorious Stabat mater, whose opening bars were described (in 1754) as being ‘the most perfect and most touching to have come from the pen of any musician’. This seminal album from The King’s Consort, one of Europe’s leading period instrument orchestras, was hailed by Gramophone as being ‘so greatly superior to all previous recordings of Pergolesi’s deathbed “Stabat mater” as to put the others completely out of the running’.\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003e1. Pergolesi: Stabat mater - Movement 01. Duet: Stabat mater dolorosa\u003cbr\u003e2. Pergolesi: Stabat mater - Movement 02. Soprano: Cuius animam gementem\u003cbr\u003e3. Pergolesi: Stabat mater - Movement 03. Duet: O quam tristis et afflicta\u003cbr\u003e4. Pergolesi: Stabat mater - Movement 04. Alto: Quae moerebat et dolebat\u003cbr\u003e5. Pergolesi: Stabat mater - Movement 05. Duet: Quis est homo qui non fleret\u003cbr\u003e6. Pergolesi: Stabat mater - Movement 06. Soprano: Vidit suum dulcem natum\u003cbr\u003e7. Pergolesi: Stabat mater - Movement 07. Alto: Eia mater, fons amoris\u003cbr\u003e8. Pergolesi: Stabat mater - Movement 08. 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Included are two mainstays of the Romantic repertoire: Chopin’s Piano Sonatas Nos 2 and 3, alongside a musical aperitif in the form of the Berceuse, Op 57.\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003e1. Chopin: Berceuse in D flat major, Op 57\u003cbr\u003e2. Chopin: Piano Sonata No 2 in B flat minor, Op 35 - 1: Grave – Doppio movimento\u003cbr\u003e3. Chopin: Piano Sonata No 2 in B flat minor, Op 35 - 2: Scherzo\u003cbr\u003e4. Chopin: Piano Sonata No 2 in B flat minor, Op 35 - 3: Marche funèbre\u003cbr\u003e5. Chopin: Piano Sonata No 2 in B flat minor, Op 35 - 4: Presto\u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003e1. Chopin: Piano Sonata No 3 in B minor, Op 58 - 1: Allegro maestoso\u003cbr\u003e2. Chopin: Piano Sonata No 3 in B minor, Op 58 - 2: Scherzo: Molto vivace\u003cbr\u003e3. Chopin: Piano Sonata No 3 in B minor, Op 58 - 3: Largo\u003cbr\u003e4. 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The very earliest of them are essentially keyboard sonatas with violin accompaniment and were his first published works (Opp. 1 \u0026amp; 2, no less!) dating from the month of his 8th birthday. By contrast, the mature works display a continuous and eloquent dialogue of equals between the instruments.  So, they chart his growth from child wonder to fully-fledged genius.\u003cbr\u003e‘Production dream-team Andrew Keener and engineer Simon Eadon’ (BBC Music Magazine) assisted Alina Ibragimova and Cédric Tiberghien to illuminate the character of each of these 37 Violin Sonatas while revealing the larger narrative that connects them across Mozart’s compositional life.\u003cbr\u003eFor Hyperion, Alina and Cédric have explored the violin and piano music of composers as diverse as Ravel, Prokofiev, Schumann, Szymonowski, Brahms, Vierne \u0026amp; Franck, with plaudits too numerous to mention. 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This, the debut release for Trinity’s newly appointed Director of Music Steven Grahl, presents three of Finzi’s larger choral works in first recordings of these arrangements.\u003c\/p\u003e\u003cp\u003eWritten during the 1930s and ’40s, this music dwells on the transience of mortal life and human happiness through Finzi’s unique compositional voice: a mix of outwardly festive works (For St Cecilia) and darker, more introspective music (Requiem da camera). Each of these major works is newly published in arrangements for choir and organ, enabling future performance opportunities for a wider range of ensembles.\u003c\/p\u003e\u003cp\u003e‘For St Cecilia’ was scored originally for solo tenor, chorus and full orchestra, but appears here with the orchestral parts arranged for organ by Robert Gower. Gower has also re-arranged Finzi’s orchestral parts for organ in the Christmas work ‘In terra pax’, which takes inspiration from the composer’s time on the picturesque Cotswolds landmark Chosen Hill. Finally, the orchestration of the introspective ‘Requiem da camera’ was left unfinished at the time of Finzi’s death; a 2013 completion by Christian Alexander has here been combined with Francis Jackson’s earlier organ transcription to create a fresh arrangement.\u003c\/p\u003e\u003cp\u003eAward-winning soloists Hilary Cronin, Gwilym Bowen and Florian Störtz join the forces of the Trinity Cambridge Choir, whose last all-Finzi album (CDA68222, 2019) was praised by Gramophone as ‘a beautifully crafted disc’ with ‘Trinity at their absolute best’.\u003c\/p\u003e\u003cp\u003e1. Finzi\/Gower: For St Cecilia, Op 30 - 1: Prelude – Delightful Goddess, in whose fashionings — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e2. Finzi\/Gower: For St Cecilia, Op 30 - 2: Changed is the age; mysterious, man’s next star — Gwilym Bowen; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e3. Finzi\/Gower: For St Cecilia, Op 30 - 3: How came you, lady of fierce martyrdom? — Gwilym Bowen; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e4. Finzi\/Gower: For St Cecilia, Op 30 - 4: Stand with us, Merbecke, and be Byrd close by — Gwilym Bowen; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e5. Finzi\/Gower: For St Cecilia, Op 30 - 5: Wherefore we bid you to the full concent — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e6. Finzi\/Gower: In terra pax, Op 39 - 1: Prelude – A frosty Christmas Eve when the stars were shining — Florian Störtz; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e7. Finzi\/Gower: In terra pax, Op 39 - 2: And lo, the angel of the Lord came upon them — Hilary Cronin, Florian Störtz; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e8. Finzi\/Jackson: Requiem da camera - 1: Prelude — Augustine Cox\u003cbr\u003e9. Finzi\/Jackson: Requiem da camera - 2: How still this quiet cornfield is tonight! — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e10. Finzi\/Jackson: Requiem da camera - 3: So beautiful it is, I never saw — Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e11. Finzi\/Jackson: Requiem da camera - 3: Only a man harrowing clods — Florian Störtz, Augustine Cox; Steven Grahl: The Choir of Trinity College Cambridge\u003cbr\u003e12. Finzi\/Jackson: Requiem da camera - 4: We who are left, how shall we look again? — Steven Grahl: The Choir of Trinity College Cambridge\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Choir of Trinity College Cambridge, Steven Grahl","offers":[{"title":"Default Title","offer_id":57178519765372,"sku":"CDA68487","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/CDA68487_577c12a0-5ed6-4511-bc7f-adfec4caf2a5.png?v=1784276885"},{"product_id":"bach-the-well-tempered-clavier-i-2cd","title":"Bach: The Well-tempered Clavier I: 2CD","description":"\u003cp\u003eHyperion proudly welcomes the Korean-American pianist Minsoo Sohn to the roster for the first in a series of recordings of iconic piano repertoire.\u003cbr\u003e \u003cbr\u003eThis new recording of the first book of Bach’s Well-tempered Clavier is a personal tribute to Minsoo’s teacher, the legendary American pianist Russell Sherman, who considered the work one of the highest expressions of the human spirit. After Sherman’s death, his wife entrusted Minsoo with Sherman’s annotated scores. Studying those scores and Sherman’s markings became the foundation for this recording journey.\u003cbr\u003e \u003cbr\u003eBut this is additionally the culmination of a personal journey shaped by injury, reflection and rediscovery. Over twenty years ago, a serious wrist injury forced Minsoo to step away from the concert platform. Rebuilding his technique from the ground up transformed his physical relationship with the piano and led to a deeper musical understanding that continues to inform every performance.\u003cbr\u003e \u003cbr\u003e‘We live in an increasingly noisy and distracted world’, says Minsoo. ‘Bach’s music encourages us to slow down, listen more carefully and reconnect with something deeper. It reminds us of reflection, humanity and balance.’\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr\u003e1. No. 1 in C major, BWV 846: Prelude\u003cbr\u003e2. No. 1 in C major, BWV 846: Fugue\u003cbr\u003e3. No. 2 in C minor, BWV 847: Prelude\u003cbr\u003e4. No. 2 in C minor, BWV 847: Fugue\u003cbr\u003e5. No. 3 in C-sharp major, BWV 848: Prelude\u003cbr\u003e6. No. 3 in C-sharp major, BWV 848: Fugue\u003cbr\u003e7. No. 4 in C-sharp minor, BWV 849: Prelude\u003cbr\u003e8. No. 4 in C-sharp minor, BWV 849: Fugue\u003cbr\u003e9. No. 5 in D major, BWV 850: Prelude\u003cbr\u003e10. No. 5 in D major, BWV 850: Fugue\u003cbr\u003e11. No. 6 in D minor, BWV 851: Prelude\u003cbr\u003e12. No. 6 in D minor, BWV 851: Fugue\u003cbr\u003e13. No. 7 in E-flat major, BWV 852: Prelude\u003cbr\u003e14. No. 7 in E-flat major, BWV 852: Fugue\u003cbr\u003e15. No. 8 in E-flat minor, BWV 853: Prelude\u003cbr\u003e16. No. 8 in E-flat minor, BWV 853: Fugue\u003cbr\u003e17. No. 9 in E major, BWV 854: Prelude\u003cbr\u003e18. No. 9 in E major, BWV 854: Fugue\u003cbr\u003e19. No. 10 in E minor, BWV 855: Prelude\u003cbr\u003e20. No. 10 in E minor, BWV 855: Fugue\u003cbr\u003e21. No. 11 in F major, BWV 856: Prelude\u003cbr\u003e22. No. 11 in F major, BWV 856: Fugue\u003cbr\u003e23. No. 12 in F minor, BWV 857: Prelude\u003cbr\u003e24. No. 12 in F minor, BWV 857: Fugue\u003c\/p\u003e\u003cp\u003eCD 2\u003cbr\u003e1. No. 13 in F-sharp major, BWV 858: Prelude\u003cbr\u003e2. No. 13 in F-sharp major, BWV 858: Fugue\u003cbr\u003e3. No. 14 in F-sharp minor, BWV 859: Prelude\u003cbr\u003e4. No. 14 in F-sharp minor, BWV 859: Fugue\u003cbr\u003e5. No. 15 in G major, BWV 860: Prelude\u003cbr\u003e6. No. 15 in G major, BWV 860: Fugue\u003cbr\u003e7. No. 16 in G minor, BWV 861: Prelude\u003cbr\u003e8. No. 16 in G minor, BWV 861: Fugue\u003cbr\u003e9. No. 17 in A-flat major, BWV 862: Prelude\u003cbr\u003e10. No. 17 in A-flat major, BWV 862: Fugue\u003cbr\u003e11. No. 18 in G-sharp minor, BWV 863: Prelude\u003cbr\u003e12. No. 18 in G-sharp minor, BWV 863: Fugue\u003cbr\u003e13. No. 19 in A major, BWV 864: Prelude\u003cbr\u003e14. 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As a showcase of soft power, Versailles was unparalleled in the world, presenting French leadership manners, in horsemanship and in industries like glass-making, of which windows and mirrors of the famous ‘Galerie des Glaces’ bear eloquent witness even now. The Sun-King’s palace offered an inexhaustible cycle of concerts, dance and spectacle in which the King was no mere spectator but a dancer of the ballet and a capable musician across numerous instruments. Mishka explores keyboard works by two acknowledged giants and one near-unknown. François Couperin was one of Louis XIV’s first new organists of the Royal Chapel, part of a dynasty that forms a kind of French counterpart to that of the Bach family in Germany. The music’s warmth, brilliant resonance and musical language, designed for the grand spaces of Versailles, make it eminently suitable for performance on a modern grand piano.\u003c\/p\u003e\u003cp\u003eCouperin: Pièces de clavecin, Book 1 - 4e Ordre No 4: Le Réveil-matin\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 1: Premier Prélude\u003cbr\u003eCouperin: Pièces de clavecin, Book 3 - 18e Ordre No 6: Le Tic-Toc-Choc ou les Maillotins\u003cbr\u003eCouperin: Pièces de clavecin, Book 4 - 25e Ordre No 5: Les ombres errantes\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 8: Huitième Prélude\u003cbr\u003eRameau: Suite in E minor - Movement 1: Allemande\u003cbr\u003eRameau: Suite in E minor - Movement 2: Courante\u003cbr\u003eRameau: Suite in E minor - Movement 3a: Gigue en rondeau I\u003cbr\u003eRameau: Suite in E minor - Movement 3b: Gigue en rondeau II\u003cbr\u003eRameau: Suite in E minor - Movement 4: Le rappel des oiseaux\u003cbr\u003eRameau: Suite in E minor - Movement 5: Rigaudons I, II \u0026amp; double\u003cbr\u003eRameau: Suite in E minor - Movement 6: Musette en rondeau\u003cbr\u003eRameau: Suite in E minor - Movement 7: Tambourin\u003cbr\u003eRameau: Suite in E minor - Movement 8: La villageoise (rondeau)\u003cbr\u003eJacquet: Suite No 2 in G minor - No 1: Prélude\u003cbr\u003eJacquet: Suite No 2 in G minor - No 2: Allemande\u003cbr\u003eJacquet: Suite No 2 in G minor - No 3: Courante I\u003cbr\u003eJacquet: Suite No 2 in G minor - No 4: Courante II\u003cbr\u003eJacquet: Suite No 2 in G minor - No 5: Sarabande\u003cbr\u003eJacquet: Suite No 2 in G minor - No 6: Gigue I\u003cbr\u003eJacquet: Suite No 2 in G minor - No 7: Gigue II\u003cbr\u003eJacquet: Suite No 2 in G minor - No 8: Menuet \u0026amp; double\u003cbr\u003eCouperin: Pièces de clavecin, Book 4 - 22e Ordre No 6: Les tours de passe-passe\u003cbr\u003eCouperin: L’art de Toucher le Clavecin - No 6: Sixième Prélude\u003cbr\u003eCouperin: Pièces de clavecin, Book 3 - 14e Ordre No 6: Le carillon de Cithère\u003cbr\u003eCouperin: Quatrième concert royal - Movement 7: Forlane: Rondeau\u003c\/p\u003e","brand":"Mishka Rushdie Momen","offers":[{"title":"Default Title","offer_id":57232737403260,"sku":"CDA68484","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/HoM.png?v=1785487806"},{"product_id":"women-and-the-piano-cd","title":"Women and the Piano: CD","description":"\u003cp\u003eMartínez: Keyboard Sonata in A major - Movement 1: Allegro\u003cbr\u003eMartínez: Keyboard Sonata in A major - Movement 2: Rondo: Adagio\u003cbr\u003eMartínez: Keyboard Sonata in A major - Movement 3: Tempo di minuetto\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 1: Moderato\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 2: Largo\u003cbr\u003eAuenbrugger: Keyboard Sonata in E flat major - Movement 3: Rondo: Allegro\u003cbr\u003eMontgeroult: Étude No 106 in B major\u003cbr\u003eSzymanowska: Caprice sur la romance de Joconde\u003cbr\u003eMendelssohn (Fanny): Abschied von Rom\u003cbr\u003eSchumann (C): Soirées musicales, Op 6 - No 2: Notturno\u003cbr\u003eSchumann (C): 3 Romances, Op 21 - No 3 in G minor: Agitato\u003cbr\u003eMenter: Romance, Op 5\u003cbr\u003eCarreño: Un bal en rêve, Op 26\u003cbr\u003eOhe: Melodie, Op 4 No 1\u003cbr\u003eBeach: Sketches, Op 15 - No 3: Dreaming\u003cbr\u003eChaminade: Études de concert, Op 35 - No 2: Automne\u003cbr\u003eDa Costa: Razor blades\u003c\/p\u003e","brand":"Susan Tomes","offers":[{"title":"Default Title","offer_id":57257069379964,"sku":"CDA68489","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/0410\/8860\/files\/0034571284897.png?v=1786089546"}],"url":"https:\/\/store.deccaclassics.com\/collections\/hyperion.oembed?page=2","provider":"Decca Classics ","version":"1.0","type":"link"}